The identity of musical works in the web era - Lecture at the University of Arts, Iaşi (3/1122)
· 26.01.2024 · 21:39:44 ··· ··· Friday ·· 5 (5)
Alessandro Arbo What is - and more precisely what does it consist of - a musical work? In what sense can - or cannot - it coincide with a score or a certain performance? In what way does its identity persist over historical time? Introduced by Polish philosopher Roman Ingarden in the 1930s, these questions have become recurrent in analytically oriented philosophy of music. To this day they are questions that do not seem easy to answer, in a framework made more complex by the generalization of phonographic and video-phonographic recording systems - and by that great recording system that is the Web. In this presentation I will try to understand how it is appropriate to relaunch this question today, focusing on its meaning and theoretical scope in a perspective open to the multiplicity of devices that populate the contemporary musical world.
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