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The Ancient Terror of the Chinese Hopping Corpse, Jiangshi 🔎🔍

🧐 · 29.08.2024 · 20:27:22 ··· Donnerstag ⭐ 10316 🎬 177075 📺Storied
🧠 · 14.09.2024 · 18:41:32 ··· Samstag
😎 · 19.09.2024 · 13:14:22 ··· Donnerstag
Draped in Qing dynasty robes and sporting fanged teeth, long nails and grasping, outstretched arms, the Chinese hopping corpse, jiangshi, is a variation on the vampire that you won’t soon forget!

For audio descriptions, go to Settings - Audio Track - English Descriptive.

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Written and Hosted by: Dr. Emily Zarka
Director: David Schulte
Executive Producer: Amanda Fox
Executive Producer: Dr. Emily Zarka
Producer: Thomas Fernandes
Editor/Animator: Jordyn Buckland
Illustrator: Samuel Allan
Executive in Charge (PBS): Maribel Lopez
Director of Programming (PBS): Gabrielle Ewing
Additional Footage: Shutterstock
Music: APM Music

Descriptive Audio & Captions provided by The Described and Captioned Media Program

Produced by Spotzen for PBS Digital Studios.

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Bibliography

Ancunta, Katarzyna. “Communal After-Living: Asian Ghosts and the City.” The New Urban Gothic, eds. H.G. Millette and R. Heholt. Palgrave Gothic, 2020, pp. 173-189.

Ancuta, Katarzyna. “From Revenants to Vampires The Transmedia Evolution of the Jiangshi.” The Transmedia Vampire, Ed. Simon Bacon. McFarland & Company, 2021, pp. 146-160.

Ancuta, Katarzyna. “Scared Stiff: Jiangshi and Chinese Vampires.” The Palgrave Handbook of the Vampire, Ed. Simon Bacon. Palgrave, 2024, pp. 751-771.

Boyd, David John. “Blood, Dust and the Black universe From Asia Extreme to the Vampire World- Image in thirst, the Wailing, and the New Korean Vampire Horror Cinema.” Vampire Films Around the World: Essays on the Cinematic Undead of Sixteen Cultures, Ed. James Aubrey. McFarland, 2020, pp. 152-178.

Burns, Stu. “Vampire and Empire: Dracula and the Imperial Gaze.” eTropic, vol. 16, issue 1, 2017, pp. 1-13.

Diffrient, David Scott. “Hands, Fingers and Fists: ‘Grasping’ Hong Kong Horror Films.” Hong Kong Horror Cinema, Eds. Gary Bettinson and Daniel Martin. Edinburgh University Press, 2018, pp. 110-132.

Hudson, Dale. “Vampires and Transnational Horror.” A Companion to the Horror Film. Wiley, 2014, pp. 463–482.

Moshan, Guo. “Hong Kong vampire films: anxious imaginings of death and illness.” Continuum Journal of Media & Cultural Studies, 28 July, 2022, pp. 1-15.

Moskowitz, Marc. L. “Hopping Vampire Zombies: Hong Kong Cinema Brings Chinese Folklore to the Present.” The Journal of Popular Culture, vol. 55, no. 4, 2022, pp. 867-885.

Roy, Diganta. “The Kick and/or the Crucifix: The Legend of the 7 Golden Vampires and the Kung Fu Craze of 1970s.” Critical Reading on Hammer Horror Films. Eds. Fernando Gabriel Pagnoni Berns and Matthew Edwards. Routledge, 2024: pp. 163-174.

Sing-chen, Lydia Francis. ‘"What Confucius Wouldn't Talk About’: The Grotesque Body and Literati Identities in Yuan Mei's ‘Zi buyu.’”Chinese Literature: Essays, Articles, Reviews, Vol. 24, Dec. 2002: pp. 129-160.

Stachowski, Kamil, and Olaf Stachowski. “Possibly Oriental Elements in Slavonic Folklore. Upiór-Wampir.” Essays in the History of Languages and Linguistics, 2017, pp. 643-693.

Soon Ng, Andrew Hock. “A Typological Inquiry into Asian Undead Beings, or, Why There Are No Vampires in the East.” Preternature: Critical and Historical Studies in the Preternatural, vol. 10, issue, 2, 2021, pp. 218-248.

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