BASE
:::::::: SELECT * FROM DAvidKanal WHERE Chan="UCYTJmfgwBjDSv7WzZ48U9hg"
gerardadriaanse
06.07.2024 · 22:44:35 ···
01.01.1970 · 01:00:00 ···
27.07.2023 · 18:57:27 ··· 5 ··· ··· 53 ···
06.07.2024 · 22:44:35 ···
01.01.1970 · 01:00:00 ···
27.07.2023 · 18:57:27 ··· 5 ··· ··· 53 ···
1:: Wilhelmus Dutch National Anthem verse 1&6, Gerard Adriaanse Silbermann organ Saint-Thomas Strasbourg
01.01.1970 · 01:00:00 ··· 31.10.2023 · 11:00:28 ··· ··· ··· ··· ··· ··· Gerard Adriaanse, edited live recording concert October 18th, 2023 (complete concert recording https://youtu.be/scDHlCMy8eU ):
On special request of Dutch visitors I played the Dutch national anthem Wilhelmus after the concert, followed by singing of the 1st and 6th verse. The prelude is the eldest known composition for keybord on this tune, included in the Leningrad manuscript dated 1646.
2:: J P. Sweelinck, psalm 140, Gerard Adriaanse Silbermann organ Saint Thomas Strasbourg
01.01.1970 · 01:00:00 ··· 30.10.2023 · 11:00:30 ··· ··· ··· ··· ··· ··· Gerard Adriaanse, edited live recording concert October 18th, 2023 (complete concert recording https://youtu.be/scDHlCMy8eU ):
The Sweelinck family moved from Deventer to Amsterdam in 1564. Jan Pieterszoon (1561-1621) developed into a brilliant composer and improviser and his fame and influence reached far beyond our national borders. His influence on subsequent generations of composers, including Johann Sebastian Bach, can hardly be overestimated. When the Amsterdam city council passed into Protestant hands in 1578, it was no longer allowed to play the organ during the services. It then became Sweelinck's task to play before and after the service, especially the new psalm melodies with which the church people still had to become familiar. Some series of variations, including those on Psalm 140, must be seen in that light. The variation series is an amalgamation of separately created variations on Psalm 140 and The Ten Commandments.
3:: J.S. Bach/G. Bierling Ciaccona BWV 1004, Gerard Adriaanse Silbermann organ Saint-Thomas Strasbourg
01.01.1970 · 01:00:00 ··· 29.10.2023 · 11:00:49 ··· ··· ··· ··· ··· ··· Gerard Adriaanse, edited live recording concert October 18th, 2023 (complete concert recording https://youtu.be/scDHlCMy8eU ):
At the end of my concert, the chaconna of chaconnas sounds (Bach used the Italian designation Ciaccona). The surviving manuscript of Bach (1685-1750) is dated 1720. The repeated bass theme, characteristic of the composition form chaconne, includes 4 bars. Each repetition, 64 in total (!), is a variation with its own character. The piece is written for violin solo: it requires the utmost from a violinist. A contemporary of Bach, Johann Friedrich Agricola, wrote that Bach often played this piece himself on clavichord (a keyboard instrument), and added as much harmony on the spot as he thought necessary at the time. Geert Bierling has often performed the ciaccona, following Agricola's description, improvising on organ and harpsichord, working out harmonies on the spot according to the basso continuo practice that was common in Bach's time.
4:: Van Noordt Psalm 15, setting Goudimel, Gerard Adriaanse Silbermann organ Saint-Thomas Strasbourg
01.01.1970 · 01:00:00 ··· 28.10.2023 · 10:00:07 ··· ··· ··· ··· ··· ··· Gerard Adriaanse, edited live recording concert October 18th, 2023 (complete concert recording https://youtu.be/scDHlCMy8eU)
Anthoni(e) van Noordt (±1619-1675) was appointed organist of the Nieuwezijds Kapel in Amsterdam in 1652 and in 1664 he was appointed organist of the Nieuwe Kerk there, succeeding Dirk Janszoon Sweelinck (the son of Jan Pieterszoon). In 1660 the collection Tabulatuur-boeck van Psalmen en Fantasyen was published. It contains the only known compositions by Anthonie van Noordt: ten psalms with variations and six fantasies for organ.
We sing two verses of psalm 15. The harmonization is by Claude Goudimel (ca. 1514-1572), he is best known for his 4-part harmonizations of all psalms that he composed very shortly after the creation of the rhymes and melodies. The harmonizations are intended for domestic use.
5:: Daan Manneke, Joie from 3 Petites Symph., Gerard Adriaanse, Silbermann organ Saint-Thomas Strasbourg
01.01.1970 · 01:00:00 ··· 27.10.2023 · 09:35:00 ··· ··· ··· ··· ··· ··· Gerard Adriaanse, edited live recording concert October 18th, 2023 (complete concert recording https://youtu.be/scDHlCMy8eU ):
For complete recording of Trois Petites Symphonies: https://youtu.be/k6zcvQwVf0s
Daan Manneke (1939), 'Kapellmeister of the Grote- or Onze-Lieve-Vrouwe-Kerk van Breda', composed the Trois Petites Symphonies in 1967, aged 27, for a composition competition in Averobode, Belgium. It was awarded the 1st prize. The movements are inspired on the compositions of the French masters such as Couperin and De Grigny.
6:: De Grigny, Gloria from Livre d'orgue, Gerard Adriaanse, Silbermann organ Saint-Thomas Strasbourg
01.01.1970 · 01:00:00 ··· 25.10.2023 · 15:40:27 ··· ··· ··· ··· ··· ··· Gerard Adriaanse, edited live recording concert October 18th, 2023 (complete concert recording https://youtu.be/scDHlCMy8eU ):
Program
1 Gloria, Nicolas de Grigny (1672 – 1703):
a) Et in terra pax a 5
b) Fugue
c) Duo
d) Récit de Tierce en taille
e) Basse de Trompette ou de Cromorne
f) Dialogue
Nicolas de Grigny (1672–1703) was organist in Paris and Reims during his short life. He published his Livre d'orgue in 1699, aged 27. None other than Johann Sebastian Bach wrote the score, which shows his admiration for De Grigny. The Livre includes a 'Messe pour orgue'. De Grigny's music fits seamlessly with the instrument and is therefore ideal for showing the richness of the sound of the organ in all facets.
1. Et in terra pax ('peace on earth'). The melody sounds in the pedal.
2. In the very short Fugue, which starts in unison with the theme, the theme sounds 10 times, of which 5 times in the reversal (mirrored, rising instead of descending). A little masterpiece!
3. The Duo is a playful two-part interplay between the right hand on an 8-foot third combination and the left hand on a 16-foot tierce combination.
4. The Récit de Tierce en Taille is De Grigny's best-known composition. It is a very melodious piece, with the tierce register soloing in tenor position.
5. As the name implies, here is a tongue work solo in the bass, partly very virtuoso, with great leaps, and richly decorated.
6. The Dialogue is a vibrant dialogue between the magisterial Grand jeu (Grand-orgue) and the more light-hearted Petit jeu (Positif).
7:: Concert Silbermann organ Saint-Thomas Strasbourg: De Grigny, Manneke, Van Noordt, Sweelinck, Bach
01.01.1970 · 01:00:00 ··· 23.10.2023 · 15:47:31 ··· ··· ··· ··· ··· ··· Gerard Adriaanse, edited live recording concert October 18th, 2023:
Program
1 Gloria, Nicolas de Grigny (1672 – 1703): 00:00
a) Et in terra pax a 5 00:02
b) Fugue 02:05
c) Duo 03:46
d) Récit de Tierce en taille 06:15
e) Basse de Trompette ou de Cromorne 11:18
f) Dialogue 14:12
2 3ème mouvement de Trois petites Symphonies, Daan Manneke (1939): Joie (Antiphonaire II) 17:37
3 Psaume 15, Anthoni van Noordt (±1619-1675) 19:51
a) Verset d’orgue
b) Chanter premier et deuxième couplet (texte Clément Marot; harmonisation Claude Goudimel)
4 Les dix commandements (mélodie Psaume 140), Jan Pieterszoon Sweelinck (1561-1621): 23:56
a) Verset d’orgue 23:58
b) Verset d’orgue 25:00
c) Verset d’orgue 26:10
d) Verset d’orgue 27:28
e) Verset d’orgue 28:42
f) Chanter premier et deuxième couplet (texte Jean Calvin; harmonisation Claude Goudimel) 30:11
5 Ciaccona de Partita pour violon seul n° II BWV 1004 de Johann Sebastian Bach (1685-1750), arrangé pour orgue par Geert Bierling 32:46
6 Wilhelmus Dutch National Anthem Leningrad manuscript 45:27
Ad 1
Nicolas de Grigny (1672–1703) was organist in Paris and Reims during his short life. He published his Livre d'orgue in 1699, aged 27. None other than Johann Sebastian Bach wrote the score, which shows his admiration for De Grigny. The Livre includes a 'Messe pour orgue'. De Grigny's music fits seamlessly with the instrument and is therefore ideal for showing the richness of the sound of the organ in all facets.
1. Et in terra pax ('peace on earth'). The melody sounds in the pedal.
2. In the very short Fugue, which starts in unison with the theme, the theme sounds 10 times, of which 5 times in the reversal (mirrored, rising instead of descending). A little masterpiece!
3. The Duo is a playful two-part interplay between the right hand on an 8-foot third combination and the left hand on a 16-foot tierce combination.
4. The Récit de Tierce en Taille is De Grigny's best-known composition. It is a very melodious piece, with the tierce register soloing in tenor position.
5. As the name implies, here is a tongue work solo in the bass, partly very virtuoso, with great leaps, and richly decorated.
6. The Dialogue is a vibrant dialogue between the magisterial Grand jeu (Grand-orgue) and the more light-hearted Petit jeu (Positif).
Ad 2
Daan Manneke (1939; www.daanmanneke.nl) composed the Trois Petites Symphonies in 1967, aged 27, for a composition competition in Averobode, Belgium. It was awarded the 1st prize. The movements are based on the compositions of the French masters such as Couperin and De Grigny. The third movement 'Joie = joy' is a modern reflection on De Grigny's Gloria.
Ad 3
Anthoni(e) van Noordt was appointed organist of the Nieuwezijds Kapel in Amsterdam in 1652 and in 1664 he was appointed organist of the Nieuwe Kerk there, succeeding Dirk Janszoon Sweelinck (the son of Jan Pieterszoon). In 1660 the collection Tabulatuur-boeck van Psalmen en Fantasyen was published. It contains the only known compositions by Anthonie van Noordt: ten psalms with variations and six fantasies for organ.
We sing two verses of psalm 15. The harmonization is by Claude Goudimel (ca. 1514-1572), he is best known for his 4-part harmonizations of all psalms that he composed very shortly after the creation of the rhymes and melodies. The harmonizations are intended for domestic use.
Ad 4
The Sweelinck family moved from Deventer to Amsterdam in 1564. Jan Pieterszoon developed into a brilliant composer and improviser and his fame and influence reached far beyond our national borders. His influence on subsequent generations of composers, including Johan Sebastian Bach, can hardly be overestimated. When the Amsterdam city council passed into Protestant hands in 1578, it was no longer allowed to play the organ during the services. It then became Sweelinck's task to play before and after the service, especially the new psalm melodies with which the church people still had to become familiar. Some series of variations, including those on Psalm 140, must be seen in that light. The variation series is an amalgamation of separately created variations on Psalm 140 and The Ten Commandments.
Ad 5
The ultimate chaconna (Bach used the Italian designation Ciaccona). The surviving manuscript of Bach (1685-1750) is dated 1720. The repeated bass theme, characteristic of the composition form chaconne, includes 4 bars. Each repetition, 64 in total (!), is a variation with its own character. The piece is written for violin solo: it requires the utmost from a violinist. A contemporary of Bach, Johann Friedrich Agricola, wrote that Bach often played this piece himself on clavichord (a keyboard instrument), and added as much harmony on the spot as he thought necessary at the time. Geert Bierling has often performed the ciaccona, following Agricola's description, improvising on organ and harpsichord, working out harmonies on the spot according to the basso continuo practice that was common in Bach's time.
8:: Jan Pieterszoon Sweelinck, Psalm 140 SwWV 314, Gerard Adriaanse
01.01.1970 · 01:00:00 ··· 01.10.2023 · 14:25:31 ··· ··· ··· ··· ··· ··· Organ Rehobothkerk Krimpen aan den IJssel, The Netherlands
9:: Jan Pieterszoon Sweelinck, Variations on 'Ons is gheboren een kindekijn' SwWV 315, Gerard Adriaanse
01.01.1970 · 01:00:00 ··· 30.09.2023 · 06:58:18 ··· ··· ··· ··· ··· ··· Organ Rehobothkerk Krimpen a/d IJssel
Ons is gheboren een kindekijn.
Melodie naar Een dev. en̄ prof. boecxken, 1539.
1.Ons is gheboren een kindekijn
noch claerre dan die sonne;
dat sal ons alle vroude sijn
al totter enghelen wonne.
2.Die sterren gheven ons lichten schijn
al door den hemel ghedronghen.
Maria die heeft haer lieve kint
mit ganser minnen ghewonnen.
3. Si lechden in een cribbekijn
mit haren sneewitten handen,
si cusseden voor sijn mondelijn:
des had haer seer verlanghen.
4. Dat kindekijn speelde der moeder toe
mit sinen cleinen armkens;
het lachede haer also soetelike toe
mit bliden blenkenden oochkens.
5. Wel di, wel di, joncfrouwelijn,
der soeter weerder stonden,
dattu dat soete kindekijn
mit ganser minnen heefst ghewonnen!
6. ‘Nu swighet, nu swighet, mijn kindekijn,
mijn God, mijn troost, mijn here;
van di so sal ic moeder sijn,
behouden mijnre eren.’ Amen.
7. Een kint is ons gheboorn,
een soon is ons ghegheven;
hi heeft versoont sijns vaders toorn,
hi brenghet ons int ewighe leven.
8. Doe Jesus Cristus gheboren was,
ghewonden in armen doeken,
daer en was bont noch daer en was grau,
hi lach mit bloten voeten.
9. Die osse ende ooc dat eselkijn
en conden niet ghespreken;
doe Jesus in der cribben lach,
doe lieten si haer eten.
10. Die osse ende ooc dat eselkijn
die dreven daer grote feeste,
doe Jesus in der cribben lach
tusschen tween stommen beesten.
11. Die osse ende ooc dat eselkijn
die dreven daer groten wonder,
doe Jesus in der cribben lach
in cranken doeken ghewonden.
12.O et o et gloria!
dat soetste van der minnen,
dat is Jesus, Marien soon;
God laten ons ghewinnen!
10:: Anthoni van Noordt Psalm 15, Gerard Adriaanse Rehobothkerk Krimpen aan den IJssel
01.01.1970 · 01:00:00 ··· 24.09.2023 · 11:04:12 ··· ··· ··· ··· ··· ··· Anthoni(e) van Noordt was appointed organist of the Nieuwezijds Kapel in Amsterdam in 1652 and in 1664 he was appointed organist of the Nieuwe Kerk there, succeeding Dirk Janszoon Sweelinck (the son of Jan Pieterszoon). In 1660 the collection Tabulatuur-boeck van Psalmen en Fantasyen was published. It contains the only known compositions by Anthonie van Noordt: ten psalms with variations and six fantasies for organ. These pieces are among the best composed in the Netherlands in the seventeenth century; they are still entirely in the tradition of the works of Jan Pieterszoon Sweelinck.
Anthoni(e) van Noordt werd in 1652 benoemd tot organist van de Nieuwezijds Kapel in Amsterdam en in 1664 werd hij aangesteld als organist van de Nieuwe Kerk aldaar als opvolger van Dirk Janszoon Sweelinck (de zoon van Jan Pieterszoon). In 1660 verscheen de bundel Tabulatuur-boeck van Psalmen en Fantasyen. Het bevat de enig bekende composities van Anthonie van Noordt: tien psalmen met variaties en zes fantasieën voor orgel. Deze stukken behoren tot het beste wat er in de zeventiende eeuw in Nederland is gecomponeerd; ze staan nog geheel in de traditie van de werken van Jan Pieterszoon Sweelinck.
11:: Jacques van Oortmerssen, Rondeau Reconstructie, Gerard Adriaanse live St. Jan 's-Hertogenbosch NL
01.01.1970 · 01:00:00 ··· 04.07.2023 · 17:57:47 ··· ··· ··· ··· ··· ··· Live registration concert July 1st 2023. Organ 1620/1787. Link to the entire concert registration: https://youtu.be/wOaGD0VmPgk.
Jacques van Oortmerssen (1950 – 2015) improvised this Rondeau during the International Improvisation Competition in Haarlem in July 1974, aged 24, on a theme given by Louis Toebosch, provided shortly before the improvisation.
Shortly afterwards he reconstructed and published the Rondeau. Rondeau is a form of music in which verses are interspersed with a recurring chorus. The chorus sounds fortissimo. The couplets in between are very different variations on (parts of) the theme with their own unique color. The spontaneity of the improvisation is evident.
12:: J.S. Bach/Geert Bierling Ciaccona Partita II BWV1004, Gerard Adriaanse organ St Jan 's-Hertogenbosch
01.01.1970 · 01:00:00 ··· 04.07.2023 · 17:57:38 ··· ··· ··· ··· ··· ··· Live registration concert July 1st 2023, organ 1620/1787, transcription for organ by Geert Bierling. Link to the entire concert registration: https://youtu.be/wOaGD0VmPgk.
Finally, the greatest chaconna ever (Bach used the Italian designation Ciaccona). The surviving manuscript of Bach (1685-1750) is dated 1720, when he was 35 years old. The repeated bass theme includes 4 bars. Each repetition, 64 in total, is a variation with its own character. The piece is written for violin solo.
A contemporary of Bach, Johann Friedrich Agricola, wrote that Bach often played this piece himself on clavichord (a keyboard instrument), and added as much harmony on the spot as he thought necessary at the time. In the course of time, many arrangements have been made to be able to perform the chaconne on instruments other than violin.
Geert Bierling often performed the ciaccona improvising on organ and harpsichord, following Agricola's description, working out harmonies on the spot according to the basso continuo practice that was common in Bach's time. On request, he has recently elaborated on this in this organ transcription.
13:: Nicolas de Grigny, Récit de Tierce en Taille, Gerard Adriaanse live, organ St Jan 's-Hertogenbosch
01.01.1970 · 01:00:00 ··· 03.07.2023 · 20:55:33 ··· ··· ··· ··· ··· ··· Live registration concert July 1st 2023. Link to the entire concert registration: https://youtu.be/wOaGD0VmPgk.
One of my favorite compositions. I performed this on the famous 1620/1787 organ of the cathedral in 's -Hertogenbosch.
Nicolas de Grigny (1672–1703) was organist in Paris and Reims during his short life. He published his Livre d'orgue in 1699, aged 27. None other than Johann Sebastian Bach copied the score, which shows his admiration for De Grigny. The Livre contains, as was customary in France at the time, an organ mass. The Récit is one of the verses on the Gloria, with the Tierce register soloing in tenor position.
14:: Daan Manneke Trois Petites Symphonies, Gerard Adriaanse live, organ St. Jan 's-Hertogenbosch
01.01.1970 · 01:00:00 ··· 03.07.2023 · 04:59:57 ··· ··· ··· ··· ··· ··· Live registration concert July 1st 2023, organ 1620/1787. Link to the entire concert registration: https://youtu.be/wOaGD0VmPgk.
Trois Petites Symphonies composed by Daan Manneke:
a. Antiphonaire I (festivo)
b. Plainte: Chaconne (molto adagio) et Petite Fugue (allegretto)
c. Joie: Antiphonaire II (allegretto con fantasia)
Daan Manneke (1939), 'Kapellmeister of the Grote- or Onze-Lieve-Vrouwe-Kerk van Breda', composed this work in 1967, aged 27, for a composition competition in Averobode, Belgium. It was awarded the 1st prize. The movements are based on the compositions of the French masters such as Couperin and De Grigny, but in a sound language that is mainly inspired by Olivier Messiaen.
Although originally written for a small organ without a pedal, it can also be convincingly performed on a large instrument in a large room. The chaconne is a form characterized by a bass theme that is continuously repeated. Because a tongue work is used in the pedal, this piece also refers to the 'basse de trompette', a form that was often used by the French masters mentioned. Note the bird imitations in the accompaniment, following the example of Messiaen.
15:: Organ (1620/1787) St Jan 's-Hertogenbosch NL, live registration July 1st 2023, Gerard Adriaanse
01.01.1970 · 01:00:00 ··· 02.07.2023 · 10:24:37 ··· ··· ··· ··· ··· ··· https://www.brabantorgel.nl/s-hertogenbosch-sint-janskathedraal/
Programme:
1. Rondeau Reconstructie improvised/composed by Jacques van Oortmerssen 00:00
2. Récit de Tierce en taille composed by Nicolas de Grigny 07:18
3. Trois Petites Symphonies composed by Daan Manneke: 12:54
a. Antiphonaire I (festivo) 12:56
b. Plainte: Chaconne (molto adagio) 14:31 et Petite Fugue (allegretto) 16:52
c. Joie: Antiphonaire II (allegretto con fantasia) 18:50
4. Ciaccona from Partita for violin solo Nr. II BWV 1004 composed by Johann Sebastian Bach, transcription for organ by Geert Bierling 21:37
Notes to the programme:
1. Jacques van Oortmerssen (1950 – 2015) improvised this Rondeau during the International Improvisation Competition in Haarlem in July 1974, aged 24, on a theme given by Louis Toebosch, provided shortly before the improvisation.
Shortly afterwards he reconstructed and published the Rondeau. Rondeau is a form of music in which verses are interspersed with a recurring chorus. The chorus sounds fortissimo. The couplets in between are very different variations on (parts of) the theme with their own unique color. The spontaneity of the improvisation is evident.
2. Nicolas de Grigny (1672–1703) was organist in Paris and Reims during his short life. He published his Livre d'orgue in 1699, aged 27. None other than Johann Sebastian Bach copied the score, which shows his admiration for De Grigny. The Livre contains, as was customary in France at the time, an organ mass. The Récit is one of the verses on the Gloria, with the Tierce register soloing in tenor position.
3. Daan Manneke (1939), 'Kapellmeister of the Grote- or Onze-Lieve-Vrouwe-Kerk van Breda', composed this work in 1967, aged 27, for a composition competition in Averobode, Belgium. It was awarded the 1st prize. The movements are based on the compositions of the French masters such as Couperin and De Grigny, but in a sound language that is mainly inspired by Olivier Messiaen.
Although originally written for a small organ without a pedal, it can also be convincingly performed on a large instrument in a large room. The chaconne is a form characterized by a bass theme that is continuously repeated. Because a tongue work is used in the pedal, this piece also refers to the 'basse de trompette', a form that was often used by the French masters mentioned. Note the bird imitations in the accompaniment, following the example of Messiaen.
4. Finally, the greatest chaconna ever. (Bach used the Italian designation Ciaccona). The surviving manuscript of Bach (1685-1750) is dated 1720, when he was 35 years old. The repeated bass theme includes 4 bars. Each repetition, 64 in total, is a variation with its own character. The piece is written for violin solo.
A contemporary of Bach, Johann Friedrich Agricola, wrote that Bach often played this piece himself on clavichord (a keyboard instrument), and added as much harmony on the spot as he thought necessary at the time. In the course of time, many arrangements have been made to be able to perform the chaconne on instruments other than violin.
Geert Bierling often performed the ciaccona improvising on organ and harpsichord, following Agricola's description, working out harmonies on the spot according to the basso continuo practice that was common in Bach's time. On request, he has recently elaborated on this in this organ transcription.
16:: Cor Ardesch Psalm 148, Gerard Adriaanse, Kam-orgel dorpskerk Ouderkerk a/d IJssel
01.01.1970 · 01:00:00 ··· 15.06.2023 · 15:17:07 ··· ··· ··· ··· ··· ··· Koraalboek Boekencentrum (rode versie)
De stemming was niet optimaal door de hoge temperatuur (buiten + 30C). Een klein beetje galm toegevoegd.
DE NIEUWE PSALMBERIJMING
1. Zing halleluja, prijs de HEER.
Geef Hem vanuit de hemel eer.
Zing, engelen, prijs Hem in koor;
herauten, geef zijn glorie door.
Zing, zon en maan, om Hem te loven,
met heel de sterrenpracht daarboven.
De HEER wees jullie plaatsen aan;
daar blijven jullie altijd staan.
2. Zing, aarde, met de hemel mee.
Zing, dieren in de diepe zee.
Sneeuw, vuur en hagel, zing voor Hem.
Zing, storm die luistert naar zijn stem.
Zing, hoge bergen, heuveltoppen.
Zing, cederbomen, bloesemknoppen –
roep samen met de dieren luid
het hemels halleluja uit.
3. Zing, leider, koning, koningin;
zet voor de HEER een loflied in.
Al ben je jong of hoogbejaard,
bezing de HEER, Hij is het waard.
Zing, mannen, Hij is hoogverheven.
Zing, vrouwen, om Hem eer te geven.
Hij geeft zijn volk weer eerherstel.
Zing halleluja, Israël!
17:: Dick Sanderman Psalm 65, Gerard Adriaanse Kam orgel dorpskerk Ouderkerk aan den IJssel
01.01.1970 · 01:00:00 ··· 08.06.2023 · 07:04:27 ··· ··· ··· ··· ··· ··· Uit "Psalmen 5"
Orgel W.H. Kam 1854.
https://www.orgelsite.nl/ouderkerk-aan-den-ijssel-hervormde-kerk/
DE NIEUWE PSALMBERIJMING
1. Vanuit de stilte klinkt ons zingen,
God, die in Sion woont.
De dank voor al uw zegeningen
ontvangt U waar U troont.
U luistert als we tot U spreken.
Tot U komt al wat leeft.
De zonden konden mij niet breken,
omdat U ons vergeeft.
2. Gelukkig wie bij U vertoeven;
uw woning is ons thuis.
Daar mogen wij uw zegen proeven,
het goede van uw huis.
U antwoordt ons op grootse wijze.
U redt ons door uw hand.
De hele wereld zal U prijzen,
de zee, de lucht, het land.
3. De bergen plant U in de aarde;
U bent bekleed met macht.
De bulderende zee bedaarde,
bedwongen door uw kracht.
Uw wonderen doen volken buigen,
U tempert hun tumult.
Elk mens begint voor U te juichen,
met diep ontzag vervuld.
4. Met liefde zorgt U voor de akker.
Uw beek bevloeit het land.
U maakt de dorre aarde wakker,
besproeit die met uw hand.
U drenkt de voren, plet de kluiten;
rijk zegent U het graan.
Het jonge groen zal, niet te stuiten,
fris op de velden staan.
5. Dit wordt het kroonjaar van uw zegen,
van rijkdom die U schenkt.
Waar U verschijnt, drupt milde regen
die de woestijn doordrenkt.
De heuvels laten van zich horen.
De weiden zijn vol vee.
De dalen zijn bedekt met koren;
zij zingen vrolijk mee.
https://www.denieuwepsalmberijming.nl/berijmingen/psalm-65
18:: J.S. Bach Goldberg 3x variation 7 on Giusti, Mietke and double manual Italian, by Gerard Adriaanse
01.01.1970 · 01:00:00 ··· 05.02.2023 · 15:10:50 ··· ··· ··· ··· ··· ··· 1st harpsichord
Italian harpsichord
Size: 202,5 x 86,3 x 26,3cm
Compass: GG-d3
2x 8'
Possibility to transpose: a1 415 – 440 - 465Hz
Keyboard: lime wood with boxwood, sharps: rosewood with maple
Soundboard: Cypress wood
Strings: yellow brass
This instrument is based on a Giovanni Battista Giusti 1679
Collection Tagliavini, Bologna
2nd harpsichord
double-manual harpsichord made after Mietke
Size: 234,5 x 92 x 28,5cm
Compass: FF-f3
2x 8' and 1x 4'
Possibility to transpose: a1 392 – 415 - 440Hz
Keyboard: lime wood with ebony, sharps: rosewood with bone
Soundboard: spruce
Strings: yellow brass
This instrument is based on harpsichords made by Michael Mietke about 1700, Germany.
3rd harpsichord
Italian, "real inner-outer" Cornelis Bom 1995
Size: 235 x 97.5 x 29,3cm
Compass: GG-f3
2x 8' and 1x 4'
Possibility to transpose: a1 415 – 440'Hz
Keyboard: boxwood, sharps: ebbony with maple
Soundboard: Cypress wood
Strings: yellow brass
Ornaments and paintings: Cornelis Verboom 1995
19:: Buxtehude Suite e moll BuxWV236, Gerard Adriaanse, Italian harpsichord Cornelis Bom
01.01.1970 · 01:00:00 ··· 05.02.2023 · 07:46:58 ··· ··· ··· ··· ··· ··· Spontaneous live recording, room (location Bom Harpsichords) , tuning and performance are not perfect, but what an amazing sound!
Italian, "real inner-outer" Cornelis Bom 1995
Size: 235 x 97.5 x 29,3cm
Compass: GG-f3
2x 8' and 1x 4'
Possibility to transpose: a1 415 – 440'Hz
Keyboard: boxwood, sharps: ebbony with maple
Soundboard: Cypress wood
Strings: yellow brass
Ornaments and paintings: Cornelis Verboom 1995
20:: J.S. Bach Goldberg Aria, variations 6, 7 & 25, Gerard Adriaanse Italian harpsichord by Cornelis Bom
01.01.1970 · 01:00:00 ··· 03.02.2023 · 21:33:33 ··· ··· ··· ··· ··· ··· Spontaneous live recording, room (location Bom Harpsichords) , tuning and performance are not perfect, but what an amazing sound!
Italian, "real inner-outer" Cornelis Bom 1995
Size: 235 x 97.5 x 29,3cm
Compass: GG-f3
2x 8' and 1x 4'
Possibility to transpose: a1 415 – 440'Hz
Keyboard: boxwood, sharps: ebbony with maple
Soundboard: Cypress wood
Strings: yellow brass
Ornaments and paintings: Cornelis Verboom 1995
21:: Dick Sanderman psalm 121
01.01.1970 · 01:00:00 ··· 27.11.2022 · 12:23:03 ··· ··· ··· ··· ··· ···
22:: Dick Sanderman psalm 139, slotzetting Bert Matter
01.01.1970 · 01:00:00 ··· 27.11.2022 · 12:22:51 ··· ··· ··· ··· ··· ···
23:: Dick Sanderman/Willem van Twillert Psalm 116
01.01.1970 · 01:00:00 ··· 27.11.2022 · 12:15:52 ··· ··· ··· ··· ··· ···
24:: Tournemire Choral II ‘Hodie mecum eris in Paradiso’, Gerard Adriaanse, St Jan de Doper Waalwijk
01.01.1970 · 01:00:00 ··· 25.06.2022 · 13:16:45 ··· ··· ··· ··· ··· ··· Uit ‘Sept chorals-poèmes d'orgue pour les sept paroles du Xrist’ 1937.
Charles Tournemire overleed in 1939. Hij had een sterk eindtijdgevoel en raakte in een diepe depressie door de dreigende inval door Duitsland. Hij was een leerling van Franck en leraar van Messiaen. Hij beschouwde het Choral als de hoogste uitdrukkingsvorm van orgelmuziek, en liet zich ongetwijfeld inspireren door de Trois Chorals van Franck. In dit 2e Choral geeft hij uitdrukking aan Lukas 23 vers 43, waar Jezus op de vraag van één van de twee misdadigers die met hem gekruisigd is ‘Heere, denk aan mij, als U in Uw Koninkrijk gekomen bent’ antwoordt: ‘Voorwaar, zeg Ik u, heden zult u met Mij in het paradijs zijn’. In dit Choral klinkt een paradijselijke sfeer als halverwege een zacht carillon klinkt, terwijl een koor van menselijke stemmen het koraal zingt (in de rechterhand gespeeld op het zwelwerk met de Vox Humana, wat menselijke stem betekent). Tournemire schroomt hierbij niet om soms 3-stemmige akkoorden in het pedaal toe te passen. Messiaen schrijft over de cyclus waaraan dit koraal ontleend is: ‘deze zeven stukken zijn de directe uiting van een krachtige originaliteit ten dienste gesteld vanuit een diep geloof’.
25:: César Franck Cantabilé from Trois Pieces, live performance Gerard Adriaanse, Waalwijk
01.01.1970 · 01:00:00 ··· 19.06.2022 · 14:20:53 ··· ··· ··· ··· ··· ··· Live recording June 18th, 2022, Pels organ, St. Jan de Doper Waalwijk, The Netherlands
26:: Jehan Alain Choral Dorien, live performance, Gerard Adriaanse, St Jan de Doper, Waalwijk
01.01.1970 · 01:00:00 ··· 19.06.2022 · 14:03:05 ··· ··· ··· ··· ··· ··· Live recording June 18th 2022, Pels organ, St. Jan de Doper Waalwijk, The Netherlands
27:: Olivier Messiaen Joie et Clarté from Les Corps Glorieux, live perfrormance Gerard Adriaanse
01.01.1970 · 01:00:00 ··· 19.06.2022 · 13:51:43 ··· ··· ··· ··· ··· ··· Live recording June 18th, 2022, Pels organ St. Jan de Doper Waalwijk, The Netherlands
28:: Buxtehude, Komm, heiliger Geist, Herre Gott BuxWV200, Gerard Adriaanse orgel Rehobothkerk Krimpen
01.01.1970 · 01:00:00 ··· 04.06.2022 · 20:46:00 ··· ··· ··· ··· ··· ···
29:: Daan Manneke, Prelude for clavichord, Gerard Adriaanse, Italian style harpsichord by Van Rossem
01.01.1970 · 01:00:00 ··· 04.06.2022 · 08:52:42 ··· ··· ··· ··· ··· ···
30:: Leer mij, o Heer, uw lijden recht betrachten, Jan Boom improvisatie Van Hirtum orgel Hilvarenbeek
01.01.1970 · 01:00:00 ··· 11.04.2022 · 18:48:53 ··· ··· ··· ··· ··· ··· Gezang 177
1 Leer mij, o Heer, uw lijden recht betrachten,
in deze zee verzinken mijn gedachten:
o liefde die, om zondaars te bevrijden,
zo zwaar moest lijden.
2 'k Zie U, God zelf, in eeuwigheid geprezen,
tot in de dood als mens gehoorzaam wezen,
in onze plaats gemarteld en geslagen,
de zonde dragen.
3 O allerheiligst, onuitspreeklijk wonder:
de Rechter zelf gaat aan het recht ten onder.
O wreed geding; wie kan geheel doorgronden
de vloek der zonden.
4 God is rechtvaardig, ja, een God der wrake;
en Hij is liefde, Hij wil zalig maken.
zie hier de schalen die ten volle wegen
en vloek en zegen.
5 Dit breekt mijn trots. Waar zou ik nog op bogen?
Ik lig in 't stof, maar God komt mij verhogen,
nu ik van vijand Gods en tegenstander
in vriend verander.
6 Daar Ge U voor mij hebt in de dood gegeven,
hoe zou ik naar mijn eigen wil nog leven?
Zou ik aan U voor zulk een bitter lijden
mijn hart niet wijden?
7 Laat mij, o Heer, uw wond're wijsheid prijzen,
dwaasheid en ergernis voor wereldwijzen,
laat mij uw kruis dat sterken zwakheid noemen
als sterkte roemen.
Liedboek voor de Kerken 1973
31:: Piet Post Orgelkoraal 'Mijn Verlosser hangt aan 't kruis', LvK 189 Gerard Adriaanse orgel
01.01.1970 · 01:00:00 ··· 09.04.2022 · 16:31:39 ··· ··· ··· ··· ··· ···
32:: Stef Tuinstra, O kostbaar kruis, o wonder Gods LvK 192/When I surveyd the woundrous cross
01.01.1970 · 01:00:00 ··· 09.04.2022 · 16:26:35 ··· ··· ··· ··· ··· ···
33:: Willem van Twillert, Psalm 116, Gerard Adriaanse, Van Hirtum orgel Hilvarenbeek
01.01.1970 · 01:00:00 ··· 17.03.2022 · 20:52:43 ··· ··· ··· ··· ··· ···
34:: Daan Manneke La Folia da Espagna, Gerard Adriaanse, harpsichord by Cornelis Bom after Dulcken
01.01.1970 · 01:00:00 ··· 20.01.2022 · 20:11:25 ··· ··· ··· ··· ··· ···
35:: Daan Manneke La Folia da Espagna vs 2, Gerard Adriaanse, harpsichord by Cornelis Bom after Dulcken
01.01.1970 · 01:00:00 ··· 20.01.2022 · 20:11:15 ··· ··· ··· ··· ··· ···
36:: J.S. Bach Golberg Variation 7 BWV988, Gerard Adriaanse, harpsichord by Cornelis Bom after Dulcken
01.01.1970 · 01:00:00 ··· 20.01.2022 · 19:54:19 ··· ··· ··· ··· ··· ···
37:: J.S. Bach Golberg Aria BWV988, Gerard Adriaanse, harpsichord by Cornelis Bom after Dulcken
01.01.1970 · 01:00:00 ··· 20.01.2022 · 19:23:21 ··· ··· ··· ··· ··· ···
38:: J.S. Bach Golberg variation 25, Gerard Adriaanse on harsichord by Cornelis Bom after Dulcken
01.01.1970 · 01:00:00 ··· 14.01.2022 · 19:48:05 ··· ··· ··· ··· ··· ···
39:: Klaas Bolt psalm 43, diverse variaties, Gerard Adriaanse. Van Hirtum orgel 's Grevelduin Capelle
01.01.1970 · 01:00:00 ··· 09.01.2022 · 14:27:14 ··· ··· ··· ··· ··· ···
40:: Klaas Bolt psalm 88, Gerard Adriaanse, Van Hirtum orgel 's Grevelduin Capelle
01.01.1970 · 01:00:00 ··· 09.01.2022 · 12:57:31 ··· ··· ··· ··· ··· ···
41:: Dick Sanderman psalm 147, Gerard Adriaanse, Verschueren orgel Raamsdonk
01.01.1970 · 01:00:00 ··· 09.01.2022 · 11:58:07 ··· ··· ··· ··· ··· ···
42:: Dick Troost psalm 48, Gerard Adriaanse op het Verschueren orgel van Raamsdonk
01.01.1970 · 01:00:00 ··· 08.01.2022 · 22:09:47 ··· ··· ··· ··· ··· ···
43:: Jan Pieterszn Sweelinck, Onder een linde groen, Gerard Adriaanse on Van Rossem harpsichord
01.01.1970 · 01:00:00 ··· 07.03.2021 · 14:17:41 ··· ··· ··· ··· ··· ···
44:: Kinderdijk killer shots by Maurits Adriaanse
01.01.1970 · 01:00:00 ··· 14.02.2021 · 21:22:03 ··· ··· ··· ··· ··· ···
45:: Guy Bovet, Salamanca: Spanish flamenco dance on the organ, Gerard Adriaanse live Maassluis
01.01.1970 · 01:00:00 ··· 29.01.2021 · 17:31:09 ··· ··· ··· ··· ··· ···
46:: J.S. Bach, Das alte Jahr vergangen ist BWV 614
01.01.1970 · 01:00:00 ··· 31.12.2020 · 10:40:08 ··· ··· ··· ··· ··· ···
47:: J.S. Bach, Das alte Jahr vergangen ist BWV 614
01.01.1970 · 01:00:00 ··· 31.12.2020 · 10:38:11 ··· ··· ··· ··· ··· ···
48:: Jan Boom improvisatie Lofzang van Maria, Pels orgel Raamsdonk
01.01.1970 · 01:00:00 ··· 29.12.2020 · 08:14:53 ··· ··· ··· ··· ··· ···
49:: Jan Boom impro LvZ Raamsdonk Verschueren
01.01.1970 · 01:00:00 ··· 24.12.2020 · 08:19:23 ··· ··· ··· ··· ··· ···
50:: J.S. Bach, Nun komm der heiden Heiland BWV 659, Bavo Raamsdonk Verschueren organ
01.01.1970 · 01:00:00 ··· 23.12.2020 · 17:17:20 ··· ··· ··· ··· ··· ···
51:: Jehan Alain, Choral Dorien, Pels organ Bavo Raamsdonk
01.01.1970 · 01:00:00 ··· 23.12.2020 · 16:35:19 ··· ··· ··· ··· ··· ···
52:: Bert Matter, Wees wellekom, Immanuel/Be welcome, Immanuel, Bavo Raamsdonk Verschueren organ
01.01.1970 · 01:00:00 ··· 23.12.2020 · 13:19:01 ··· ··· ··· ··· ··· ···
53:: Adriaan Engels Lofzang van Maria/Magnificat/Mary's song of Praise, Bavo Raamsdonk Verschueren
01.01.1970 · 01:00:00 ··· 23.12.2020 · 13:10:53 ··· ··· ··· ··· ··· ···