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#~~~~# http://chegu.de/Ausgabe.php?URL=https://www.youtube.com/feeds/videos.xml?channel_id=UCVWUMgy0WDFdvvSdt4v4b3w

**29511

**?xml version="1.0" encoding="UTF-8"?> feed xmlns:yt="http://www.youtube.com/xml/schemas/2015" xmlns:media="http://search.yahoo.com/mrss/" xmlns="http://www.w3.org/2005/Atom"> link rel="self" href="http://www.youtube.com/feeds/videos.xml?channel_id=UCVWUMgy0WDFdvvSdt4v4b3w"/> id>yt:channel:VWUMgy0WDFdvvSdt4v4b3w/id> yt:channelId>VWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Kemper Museum/title> link rel="alternate" href="https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2015-04-10T01:50:03+00:00/published> entry> id>yt:video:LfTG7roJJIQ/id> yt:videoId>LfTG7roJJIQ/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Artist Talk | Angela Dufresne/title> link rel="alternate" href="https://www.youtube.com/watch?v=LfTG7roJJIQ"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2024-06-25T20:41:00+00:00/published> updated>2024-07-03T04:52:05+00:00/updated> media:group> media:title>Artist Talk | Angela Dufresne/media:title> media:content url="https://www.youtube.com/v/LfTG7roJJIQ?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i1.ytimg.com/vi/LfTG7roJJIQ/hqdefault.jpg" width="480" height="360"/> media:description>On November 11, 2012, artist Angela Dufresne (American, born 1969) spoke at Kemper Crossroads, formerly located in Kansas City's Crossroads Arts District. In front of a spellbound audience, Dufresne told stories of her philosophical influences, pop culture references, and insight into her studio process. She even sang a few bars! This artist talk was digitalized from the original VHS as part of Kemper Museum's 30th anniversary celebrations./media:description> media:community> media:starRating count="0" average="0.00" min="1" max="5"/> media:statistics views="22"/> /media:community> /media:group> /entry> entry> id>yt:video:uYV4virK4Dc/id> yt:videoId>uYV4virK4Dc/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Hangama Amiri: A Homage To Home | Artist & Curator Conversation/title> link rel="alternate" href="https://www.youtube.com/watch?v=uYV4virK4Dc"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2024-03-04T20:16:06+00:00/published> updated>2024-05-28T05:40:31+00:00/updated> media:group> media:title>Hangama Amiri: A Homage To Home | Artist & Curator Conversation/media:title> media:content url="https://www.youtube.com/v/uYV4virK4Dc?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i2.ytimg.com/vi/uYV4virK4Dc/hqdefault.jpg" width="480" height="360"/> media:description>*Kemper Museum programs are FREE thanks to support from members and other donors. Join today!* *About the Artist:* Amiri fled Kabul with her family in 1996 when she was seven years old. Moving through numerous countries over several years, they immigrated to Canada in 2005 when Amiri was a teenager. Amiriâ€™s choice of materials stems from autobiographical originsâ€”her mother taught her to sew and her uncle was a tailor. Her textiles also reference the colors and fabrics she remembers in the bazaars and on the streets in Kabul. She sources her materials from an Afghan-owned shop in New York Cityâ€™s fashion district, collaging with fabric and painting on the surfaces. Large-scaled with frayed edges, Amiriâ€™s textile works are made from layering fabrics, piecing and sewing them together, so the fragments collectively characterize her home from a distance. Centered on the lives of women, she builds interiors that capture her protagonists within domestic and entrepreneurial spaces and amplify a collective struggle for womenâ€™s rights in Afghanistan and around the world. *About the Exhibition:* _Hangama Amiri: A Homage to Home_ is organized by Amy Smith-Stewart, chief curator, The Aldrich Contemporary Art Museum, where it debuted in February 2023./media:description> media:community> media:starRating count="1" average="5.00" min="1" max="5"/> media:statistics views="122"/> /media:community> /media:group> /entry> entry> id>yt:video:GLZtdMYOlgY/id> yt:videoId>GLZtdMYOlgY/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Weird year but we had fun #shorts #artmuseum #contemporaryart/title> link rel="alternate" href="https://www.youtube.com/watch?v=GLZtdMYOlgY"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-12-19T17:34:26+00:00/published> updated>2024-05-22T04:34:46+00:00/updated> media:group> media:title>Weird year but we had fun #shorts #artmuseum #contemporaryart/media:title> media:content url="https://www.youtube.com/v/GLZtdMYOlgY?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i4.ytimg.com/vi/GLZtdMYOlgY/hqdefault.jpg" width="480" height="360"/> media:description>We're looking back on the year and can't help but feel so grateful for the community partners, volunteers, art lovers, and artists who made it possible./media:description> media:community> media:starRating count="1" average="5.00" min="1" max="5"/> media:statistics views="45"/> /media:community> /media:group> /entry> entry> id>yt:video:FmzVlNIg-po/id> yt:videoId>FmzVlNIg-po/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>2023 Kemper Museum Highlights/title> link rel="alternate" href="https://www.youtube.com/watch?v=FmzVlNIg-po"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-12-15T20:44:33+00:00/published> updated>2024-05-28T16:18:33+00:00/updated> media:group> media:title>2023 Kemper Museum Highlights/media:title> media:content url="https://www.youtube.com/v/FmzVlNIg-po?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i3.ytimg.com/vi/FmzVlNIg-po/hqdefault.jpg" width="480" height="360"/> media:description>/media:description> media:community> media:starRating count="3" average="5.00" min="1" max="5"/> media:statistics views="244"/> /media:community> /media:group> /entry> entry> id>yt:video:Jx44f-60qlc/id> yt:videoId>Jx44f-60qlc/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Artist Talk: Lilly McElroy/title> link rel="alternate" href="https://www.youtube.com/watch?v=Jx44f-60qlc"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-10-31T19:14:24+00:00/published> updated>2024-05-29T15:12:20+00:00/updated> media:group> media:title>Artist Talk: Lilly McElroy/media:title> media:content url="https://www.youtube.com/v/Jx44f-60qlc?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i3.ytimg.com/vi/Jx44f-60qlc/hqdefault.jpg" width="480" height="360"/> media:description>*Kemper Museum programs are FREE thanks to support from members and other donors. Join today!* *About the series:* This program is part of the series, _Beyond the Lens,_ a group of artist talks and panels dedicated to the medium of photography, in conjunction with the exhibitions _Julie Blackmon: A Life in Frame_ and _Spandita Malik: JÄá¸·Ä«â€”Meshes of Resistance._ *About the Artist:* Lilly McElroy's work reflects her complex relationship with the American West and an exploration of what it means to be an American in a time of diminished expectations. Working as a lens-based artist, McElroy utilizes the landscape symbolically to address issues of power, gender, and eco-anxiety. She performs for the camera, enacting feminist gestures that reflect a sense of quixotic hopefulness as well as a desire for control over subjects as ungovernable as nature. She photographs herself attempting to grasp the sun and physically manipulates images of the landscape by scratching them until a void is generated. McElroy received her M.F.A. from the School of the Art Institute of Chicago and her B.F.A. from the University of Arizona. She has been an artist-in-residence at The Charlotte Street Foundation, The Fine Arts Work Center in Provincetown, MOCA Tucson, The Skowhegan School of Painting & Sculpture, and Studios INC. Her work has been exhibited internationally, in venues including Figge Art Museum, Modern Art Oxford, The Nelson Atkins Museum, and Southern Exposure Gallery. Her work has also been featured in publications including Aperture, Art Forum, Art Papers,The New York Times, and O: The Oprah Magazine. McElroy lives and works in Lawrence, KS where she is an Assistant Teaching Professor at The University of Kansas. Her work is represented by Rick Wester Fine Art in New York./media:description> media:community> media:starRating count="1" average="5.00" min="1" max="5"/> media:statistics views="91"/> /media:community> /media:group> /entry> entry> id>yt:video:yWJqlVoeCfg/id> yt:videoId>yWJqlVoeCfg/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Julie Blackmon & Kevin Morby in Conversation/title> link rel="alternate" href="https://www.youtube.com/watch?v=yWJqlVoeCfg"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-09-29T19:26:36+00:00/published> updated>2024-05-22T03:55:54+00:00/updated> media:group> media:title>Julie Blackmon & Kevin Morby in Conversation/media:title> media:content url="https://www.youtube.com/v/yWJqlVoeCfg?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i2.ytimg.com/vi/yWJqlVoeCfg/hqdefault.jpg" width="480" height="360"/> media:description>*Kemper Museum programs are FREE thanks to support from members and other donors. Join today!* *About the Exhibition:* _Julie Blackmon: A Life in Frame_ focuses on the last decade of Springfield, MO-based photographer Julie Blackmon's work showing scenes depicting family, community, and landscape to evoke playful and critical examinations of the modern family, feminism, and other social and political issues. To mark the occasion, Kansas City, MO-based musician Kevin Morby, whose recent studio albums include _This is a Photograph_ (2022) and _Sundowner_ (2020), joined the artist in conversation to discuss the shared themes in their work and the experience of working as an internationally-recognized artist based in the Midwest. The conversation was moderated by Jon Hart, 90.9 The Bridge. 00:00 Intro 05:17 Conversation 44:50 Performance by Kevin Morby/media:description> media:community> media:starRating count="7" average="5.00" min="1" max="5"/> media:statistics views="431"/> /media:community> /media:group> /entry> entry> id>yt:video:h9PyYkwUYoE/id> yt:videoId>h9PyYkwUYoE/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Artist Talk | Sarah Zapata/title> link rel="alternate" href="https://www.youtube.com/watch?v=h9PyYkwUYoE"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-09-01T15:31:45+00:00/published> updated>2024-05-26T04:56:04+00:00/updated> media:group> media:title>Artist Talk | Sarah Zapata/media:title> media:content url="https://www.youtube.com/v/h9PyYkwUYoE?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i1.ytimg.com/vi/h9PyYkwUYoE/hqdefault.jpg" width="480" height="360"/> media:description>*Kemper Museum programs are FREE thanks to support from members and other donors. Join today!* *About the Exhibition:* In So the roots be known, Zapata centers local lesbian and feminist histories from her research at the Gay and Lesbian Archive of Mid-America at the University of Missouriâ€“Kansas City. In part, this installation pays homage to Womontown, a group of primarily queer women who established a revolutionary community in the Longfellow (Dutch Hill) neighborhood of Kansas City in the late 1980s. Zapataâ€™s use of abstracted tulip forms and shades of lavender draw inspiration from the Womontown banner while simultaneously evoking histories of queer resistance, as the color lavender came to be associated with gay and lesbian communities, and thus stigmatized, in the mid-twentieth century. Laddersâ€”a recurring motif in Zapataâ€™s work alluding to ideas of fantasy and transitional spacesâ€”here make reference to the national lesbian magazine _The Ladder_ (1956â€“1970), founded by the Daughters of Bilitis and later operated remotely by recognized writer and publisher Barbara Grier in Kansas City. 00:00 Intro 05:19 Gargoyles 07:59 Fear and Revelations 08:32 Stripes and their discontents 14:51 Welcome to Womontown 20:11 Making "so the roots be known" 24:41 Audience Q&A/media:description> media:community> media:starRating count="10" average="5.00" min="1" max="5"/> media:statistics views="368"/> /media:community> /media:group> /entry> entry> id>yt:video:Dn--xBQ-y2A/id> yt:videoId>Dn--xBQ-y2A/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Artist Talk | Spandita Malik/title> link rel="alternate" href="https://www.youtube.com/watch?v=Dn--xBQ-y2A"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-08-31T18:30:43+00:00/published> updated>2024-05-22T07:56:55+00:00/updated> media:group> media:title>Artist Talk | Spandita Malik/media:title> media:content url="https://www.youtube.com/v/Dn--xBQ-y2A?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i1.ytimg.com/vi/Dn--xBQ-y2A/hqdefault.jpg" width="480" height="360"/> media:description>*Kemper Museum programs are FREE thanks to support from members and other donors. Join today!* For Malikâ€™s first solo museum exhibition, _Spandita Malik: JÄá¸·Ä«â€”Meshes of Resistance,_ the artist expanded upon her photographic series _NÄÌrÄ«,_ a project that she began as a graduate student at Parsons School of Design in 2019. For _NÄÌrÄ«,_ she traveled to small communities in India known for their distinct embroidery styles and places where women learn handicraft to gain financial independence. Malik met with women who are part of self-help groups for survivors of domestic and gender-based violence and requested permission to document them within their homes or personal spaces. Each woman was invited to embroider her own portrait and claim agency over her portrayal. In the years following, the women connected with each other and Malik over phone calls and group chats, where they were able to deepen their relationships and form a greater support system. The word _jÄá¸·Ä«_ is recognized across many languages with roots in Sanskrit, referring to the openwork that appears in architecture, metalwork, and embroidery. Here jÄá¸·Ä« refers to an openwork stitch that produces a fine mesh structure or the appearance of a net. Within the context of Malikâ€™s exhibition, jÄá¸·Ä« also transforms into an expansive metaphor that uplifts networks and communities, particularly those formed among women with shared experiences. Produced in dialogue with many collaborators, Malikâ€™s portrait series showcases the unique preferences, desires, and fears of the individual women who comprise the collective, nurturing a symbiotic relationship between group and self-expression. _Spandita Malik: JÄá¸·Ä«â€”Meshes of Resistance_ was organized by Kemper Museum of Contemporary Art and curated by Krista Alba, assistant curator./media:description> media:community> media:starRating count="9" average="5.00" min="1" max="5"/> media:statistics views="217"/> /media:community> /media:group> /entry> entry> id>yt:video:zuPlqax3Ffw/id> yt:videoId>zuPlqax3Ffw/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Panel Discussion | Dieu Donne on Virginia Jaramillo/title> link rel="alternate" href="https://www.youtube.com/watch?v=zuPlqax3Ffw"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-07-25T16:14:53+00:00/published> updated>2024-05-27T04:53:41+00:00/updated> media:group> media:title>Panel Discussion | Dieu Donne on Virginia Jaramillo/media:title> media:content url="https://www.youtube.com/v/zuPlqax3Ffw?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i3.ytimg.com/vi/zuPlqax3Ffw/hqdefault.jpg" width="480" height="360"/> media:description>*Kemper Museum programs are FREE thanks to support from members and other donors. Join today!* Virginia Jaramillo transitioned from painting to handmade papermaking in the 1970s, with the support of Dieu Donne, a leading non-profit organization dedicated to her new medium. Join Sue Gosin, founder of the New York-based organization, and Paul Wong, former artistic director and master collaborator, for an engaging virtual conversation on Jaramillo's time at Dieu Donne and her unique papermaking process./media:description> media:community> media:starRating count="2" average="5.00" min="1" max="5"/> media:statistics views="117"/> /media:community> /media:group> /entry> entry> id>yt:video:1tmzFkF7lGs/id> yt:videoId>1tmzFkF7lGs/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Every photographer should remember this #shorts/title> link rel="alternate" href="https://www.youtube.com/watch?v=1tmzFkF7lGs"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-07-14T22:17:21+00:00/published> updated>2024-05-27T06:50:15+00:00/updated> media:group> media:title>Every photographer should remember this #shorts/media:title> media:content url="https://www.youtube.com/v/1tmzFkF7lGs?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i2.ytimg.com/vi/1tmzFkF7lGs/hqdefault.jpg" width="480" height="360"/> media:description>Spandita Malik collaborates with women across North Indian states to create embroidered portraits that embody and empower their subjects. Malik met with women who are part of self-help groups for survivors of domestic and gender-based violence and requested permission to document them within their homes or personal spaces. Each woman was invited to embroider her own portrait and claim agency over her portrayal. #portraitphotography #embroidery #embroiderydesign #embroideryart #alternativephotography #altphotography #experimentalphotography #india/media:description> media:community> media:starRating count="2" average="5.00" min="1" max="5"/> media:statistics views="57"/> /media:community> /media:group> /entry> entry> id>yt:video:ekrHw6unN50/id> yt:videoId>ekrHw6unN50/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Spandita Malik: JÄá¸·Ä«â€”Meshes of Resistance/title> link rel="alternate" href="https://www.youtube.com/watch?v=ekrHw6unN50"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-07-14T22:03:51+00:00/published> updated>2024-05-25T23:04:28+00:00/updated> media:group> media:title>Spandita Malik: JÄá¸·Ä«â€”Meshes of Resistance/media:title> media:content url="https://www.youtube.com/v/ekrHw6unN50?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i2.ytimg.com/vi/ekrHw6unN50/hqdefault.jpg" width="480" height="360"/> media:description>International photographer and social practice artist Spandita Malik (Indian, born 1995) collaborates with women across North Indian states to create embroidered portraits that embody and empower their subjects. For Malikâ€™s first solo museum exhibition, _Spandita Malik: JÄá¸·Ä«â€”Meshes of Resistance,_ the artist expanded upon her photographic series _NÄÌrÄ«,_ a project that she began as a graduate student at Parsons School of Design in 2019. For _NÄÌrÄ«,_ she traveled to small communities in India known for their distinct embroidery styles and places where women learn handicraft to gain financial independence. Malik met with women who are part of self-help groups for survivors of domestic and gender-based violence and requested permission to document them within their homes or personal spaces. Each woman was invited to embroider her own portrait and claim agency over her portrayal. In the years following, the women connected with each other and Malik over phone calls and group chats, where they were able to deepen their relationships and form a greater support system. The word _jÄá¸·Ä«_ is recognized across many languages with roots in Sanskrit, referring to the openwork that appears in architecture, metalwork, and embroidery. Here jÄá¸·Ä« refers to an openwork stitch that produces a fine mesh structure or the appearance of a net. Within the context of Malikâ€™s exhibition, jÄá¸·Ä« also transforms into an expansive metaphor that uplifts networks and communities, particularly those formed among women with shared experiences. Produced in dialogue with many collaborators, Malikâ€™s portrait series showcases the unique preferences, desires, and fears of the individual women who comprise the collective, nurturing a symbiotic relationship between group and self-expression. _Spandita Malik: JÄá¸·Ä«â€”Meshes of Resistance_ was organized by Kemper Museum of Contemporary Art and curated by Krista Alba, assistant curator./media:description> media:community> media:starRating count="2" average="5.00" min="1" max="5"/> media:statistics views="179"/> /media:community> /media:group> /entry> entry> id>yt:video:8LalBjWgVTo/id> yt:videoId>8LalBjWgVTo/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Artist Talk | Virginia Jaramillo/title> link rel="alternate" href="https://www.youtube.com/watch?v=8LalBjWgVTo"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-06-13T21:26:03+00:00/published> updated>2024-05-27T06:44:33+00:00/updated> media:group> media:title>Artist Talk | Virginia Jaramillo/media:title> media:content url="https://www.youtube.com/v/8LalBjWgVTo?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i1.ytimg.com/vi/8LalBjWgVTo/hqdefault.jpg" width="480" height="360"/> media:description>*Kemper Museum programs are FREE thanks to support from members and other donors. Join today!* *About the Exhibition:* _Principle of Equivalence_ is the first major retrospective exhibition presenting a selection of seventy-three paintings and handmade paper works over nearly seventy years by New York-based artist Virginia Jaramillo (Mexican American, born 1939). Tracing the impact of the Jaramilloâ€™s practice, which collide postwar abstraction with physics, science and the cosmos, archaeology and mythology, and modernist design philosophies, this exhibition sheds light on her career and situates it within the larger narrative of American abstract art. For decades, Jaramilloâ€™s work has been celebrated internationally in groundbreaking exhibitions including _The De Luxe Show_ , in 1971, one of the first major racially integrated exhibitions in the United States. Jaramillo also has an exhibition history in Kansas City that stretches back to the late 1970s. This exhibition was organized by Kemper Museum of Contemporary Art and curated by Erin Dziedzic, director of curatorial affairs. A full-color catalog was published in conjunction with this exhibition and distributed by Yale University Press./media:description> media:community> media:starRating count="10" average="5.00" min="1" max="5"/> media:statistics views="385"/> /media:community> /media:group> /entry> entry> id>yt:video:gD8U0h5dEDc/id> yt:videoId>gD8U0h5dEDc/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Painting is spiritual for Reginald Sylvester II | Art Close-up #shorts/title> link rel="alternate" href="https://www.youtube.com/watch?v=gD8U0h5dEDc"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-03-28T17:53:36+00:00/published> updated>2024-05-22T03:33:24+00:00/updated> media:group> media:title>Painting is spiritual for Reginald Sylvester II | Art Close-up #shorts/media:title> media:content url="https://www.youtube.com/v/gD8U0h5dEDc?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i4.ytimg.com/vi/gD8U0h5dEDc/hqdefault.jpg" width="480" height="360"/> media:description>Check out _Reginald Sylvester: Green Gate_ on view at Kemper Museum through June 25th, 2023./media:description> media:community> media:starRating count="44" average="5.00" min="1" max="5"/> media:statistics views="872"/> /media:community> /media:group> /entry> entry> id>yt:video:kwqt3vTdjBE/id> yt:videoId>kwqt3vTdjBE/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Artist Talk | Reginald Sylvester II/title> link rel="alternate" href="https://www.youtube.com/watch?v=kwqt3vTdjBE"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-03-23T21:15:57+00:00/published> updated>2024-06-13T14:38:29+00:00/updated> media:group> media:title>Artist Talk | Reginald Sylvester II/media:title> media:content url="https://www.youtube.com/v/kwqt3vTdjBE?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i4.ytimg.com/vi/kwqt3vTdjBE/hqdefault.jpg" width="480" height="360"/> media:description>*Kemper Museum programs are FREE thanks to support from members and other donors. Join today!* In this conversation with Kemper Museum's Erin Dziedzic, Reginald Sylvester II discusses the inspiration, process, and spiritual journey behind his exhibition _Green Gate._ *About the Exhibition:* _Green Gate_ brings together paintings, drawing, and sculpture by New York-based artist Reginald Sylvester II (born North Carolina, 1987, lives and works in Brooklyn, NY). Taking inspiration from abstract expressionism, contemporary design, and theological traditions, Sylvester's working process follows a trajectory from muse to mark making. Taking meditative walks around New York City with an open mindset led Sylvester to a green gate from which ideas about passage, Black bodies, radiated green light, and spiritual resonance are explored in his recent abstract work. _Offering IX_ (2022), a recent acquisition to Kemper Museumâ€™s Permanent Collection will be included in this exhibition. This exhibition is organized by Kemper Museum of Contemporary Art and curated by Erin Dziedzic, director of curatorial affairs./media:description> media:community> media:starRating count="324" average="5.00" min="1" max="5"/> media:statistics views="21185"/> /media:community> /media:group> /entry> entry> id>yt:video:SGldzMfPVUk/id> yt:videoId>SGldzMfPVUk/yt:videoId> yt:channelId>UCVWUMgy0WDFdvvSdt4v4b3w/yt:channelId> title>Art is not that serious! | Art Close-up #shorts/title> link rel="alternate" href="https://www.youtube.com/watch?v=SGldzMfPVUk"/> author> name>Kemper Museum/name> uri>https://www.youtube.com/channel/UCVWUMgy0WDFdvvSdt4v4b3w/uri> /author> published>2023-02-28T17:16:01+00:00/published> updated>2024-05-24T07:38:31+00:00/updated> media:group> media:title>Art is not that serious! | Art Close-up #shorts/media:title> media:content url="https://www.youtube.com/v/SGldzMfPVUk?version=3" type="application/x-shockwave-flash" width="640" height="390"/> media:thumbnail url="https://i4.ytimg.com/vi/SGldzMfPVUk/hqdefault.jpg" width="480" height="360"/> media:description>Artist Christian Ruiz Berman has never taken painting that seriously. Find out why by watching his full artist talk!/media:description> media:community> media:starRating count="13" average="5.00" min="1" max="5"/> media:statistics views="344"/> /media:community> /media:group> /entry> /feed>

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08.10.2024 07:00

01.01.1970 01:00