The Mandolin World
1:: Raffaele Calace IX Preludio Mandoloncello - Original Record
10.02.2024 · 22:44:01 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #raffaelecalace #mandoloncello
Raffaele Calace IX Preludio Mandoloncello - Original Record
(Liuto cantabile : 10 strings mandocello)
Remastered by The Mandolin World
Raffaele Calace (1863 – 1934) was an Italian mandolin player, composer, and luthier.
Calace was born in Naples, Italy, the son of Antonio Calace, a successful instrument maker. He initially trained to be a musician, discovered the mandolin, and soon became a virtuoso.
After Calace graduated with high honors from the Regio Conservatorio di Musica in Naples, he set out to elevate the mandolin's place in music. To achieve this, he toured Europe and Japan, giving concerts on the Neapolitan mandolin and liuto cantabile.
The liuto cantabile is a bass variant of the mandolin family that scholars believe Neapolitan luthiers of the Vinaccia family created in the last decade of the 19th century, and that Raffaele Calace subsequently perfected. Raffaele Calace made three long-playing phonograph records on which he plays mandolin and liuto cantabile.
Raffaele Calace wrote about 200 compositions for mandolin. These include concert works for mandolin solo and compositions for mandolin and other instruments—duets with piano, trio combinations with mandola and guitar, the Romantic Mandolin Quartet (two mandolins, mandola, and guitar), and quintets.
Calace also wrote pedagogical works, including a mandolin method and a method for playing the liuto cantabile. The mandolin method was published in 1910 and elaborates on the 18th-century Italian mandolin tutors by Giovanni Battista Gervasio (c. 1725–c. 1785), Gabriele Leone (c. 1725–c. 1790) and others. It shows the development of the traditional Italian playing style.
The Calace school forms a bridge between other modern methods for mandolin, such as those by Raffaele Calace's countryman Silvio Ranieri (1882-1956), a Roman virtuoso who settled in Brussels, and the American-based Italian mandolinist Giuseppe Pettine (1874-1966).
http://www.themandolinworld.com
#mandolin #mandoline #mandolino #bandolim #mandolina #bandola #mandoloncello #calace #マンドリン
2:: Bandolim Ian Coury
03.02.2024 · 15:40:06 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #Iancoury, #bandolim, #mandolin,
Bandolim Ian Coury
#Iancoury, #bandolim, #mandolin, #brazilianmusic, #mpb, #musicabrasileira
Bandolinist Ian Coury was born in Brasilia in 2002. Do the math, then note that he is already considered one of the great virtuosos on his instrument.
Ian started playing when he was 8 years old, taking lessons with Marcelo Lima at the Escola Brasileira de Choro Raphael Rabello in Brasília. Growing up, his main influences were Hamilton de Holanda, Armandinho Macedo and Jacob do Bandolim. By the time he was 11, he was sharing the stage with de Holanda. At 12, he had his first solo show at the renowned Clube do Choro in Brasilia and was invited to play that same year with Armandinho Macedo. When he was 13 he took up the 10-string bandolim, following in the footsteps of Holanda.
Now all of 20 years old and a student at the Berklee College of Music, Ian has already garnered critical acclaim from the Brazilian Academy of Sciences, Arts, History, and Literature, the Chamber of Deputies of Brazil and Choro Magazine. He won the best instrumentalist award in the Brazilian National FM Radio Festival in 2020 and came in second (by popular vote) in Brazil’s eFestival in 2021, both with compositions that he composed.
3:: Raffaele Calace plays Rondo for Mandolin and Piano
06.01.2024 · 18:59:42 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #raffaelecalace
Remastered by The Mandolin World
Raffaele Calace (1863 – 1934) was an Italian mandolin player, composer, and luthier.
Calace was born in Naples, Italy, the son of Antonio Calace, a successful instrument maker. He initially trained to be a musician, discovered the mandolin, and soon became a virtuoso.
After Calace graduated with high honors from the Regio Conservatorio di Musica in Naples, he set out to elevate the mandolin's place in music. To achieve this, he toured Europe and Japan, giving concerts on the Neapolitan mandolin and liuto cantabile.
The liuto cantabile is a bass variant of the mandolin family that scholars believe Neapolitan luthiers of the Vinaccia family created in the last decade of the 19th century, and that Raffaele Calace subsequently perfected. Raffaele Calace made three long-playing phonograph records on which he plays mandolin and liuto cantabile.
Raffaele Calace wrote about 200 compositions for mandolin. These include concert works for mandolin solo and compositions for mandolin and other instruments—duets with piano, trio combinations with mandola and guitar, the Romantic Mandolin Quartet (two mandolins, mandola, and guitar), and quintets.
Calace also wrote pedagogical works, including a mandolin method and a method for playing the liuto cantabile. The mandolin method was published in 1910 and elaborates on the 18th-century Italian mandolin tutors by Giovanni Battista Gervasio (c. 1725–c. 1785), Gabriele Leone (c. 1725–c. 1790) and others. It shows the development of the traditional Italian playing style.
The Calace school forms a bridge between other modern methods for mandolin, such as those by Raffaele Calace's countryman Silvio Ranieri (1882-1956), a Roman virtuoso who settled in Brussels, and the American-based Italian mandolinist Giuseppe Pettine (1874-1966).
http://www.themandolinworld.com
#mandolin #mandoline #mandolino #bandolim #mandolina #bandola #mandoloncello #calace #マンドリン
4:: Raffaele Calace plays Barcarola for Mandoloncello (Liuto cantabile) Mandocello
02.01.2024 · 22:21:24 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #raffaelecalace #mandoloncello
Serenata malinconica Raffaele Calace for mandocello 10 strings
(Liuto cantabile : 10 strings mandocello)
Remastered by The Mandolin World
Raffaele Calace (1863 – 1934) was an Italian mandolin player, composer, and luthier.
Calace was born in Naples, Italy, the son of Antonio Calace, a successful instrument maker. He initially trained to be a musician, discovered the mandolin, and soon became a virtuoso.
After Calace graduated with high honors from the Regio Conservatorio di Musica in Naples, he set out to elevate the mandolin's place in music. To achieve this, he toured Europe and Japan, giving concerts on the Neapolitan mandolin and liuto cantabile.
The liuto cantabile is a bass variant of the mandolin family that scholars believe Neapolitan luthiers of the Vinaccia family created in the last decade of the 19th century, and that Raffaele Calace subsequently perfected. Raffaele Calace made three long-playing phonograph records on which he plays mandolin and liuto cantabile.
Raffaele Calace wrote about 200 compositions for mandolin. These include concert works for mandolin solo and compositions for mandolin and other instruments—duets with piano, trio combinations with mandola and guitar, the Romantic Mandolin Quartet (two mandolins, mandola, and guitar), and quintets.
Calace also wrote pedagogical works, including a mandolin method and a method for playing the liuto cantabile. The mandolin method was published in 1910 and elaborates on the 18th-century Italian mandolin tutors by Giovanni Battista Gervasio (c. 1725–c. 1785), Gabriele Leone (c. 1725–c. 1790) and others. It shows the development of the traditional Italian playing style.
The Calace school forms a bridge between other modern methods for mandolin, such as those by Raffaele Calace's countryman Silvio Ranieri (1882-1956), a Roman virtuoso who settled in Brussels, and the American-based Italian mandolinist Giuseppe Pettine (1874-1966).
http://www.themandolinworld.com
#mandolin #mandoline #mandolino #bandolim #mandolina #bandola #mandoloncello #calace #マンドリン
5:: Raffaele Calace mandolin Concerto 1 played by Giuseppe Pettine
26.12.2023 · 20:49:57 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #raffaelecalace #mandolininstrument
Raffaele Calace mandolin Concerto I played by Giuseppe Pettine.
#mandolin #mandoline #mandolino #bandolim #calace #pettine #raffaelecalace
A very rare version of Raffaele Calace Concerto N. 1, dedicated to Giuseppe Pettine, played by Pettine himself.
Raffaele Calace (1863 – 1934) was an Italian mandolin player, composer, and luthier.
Calace was born in Naples, Italy, the son of Antonio Calace, a successful instrument maker. He initially trained to be a musician, discovered the mandolin, and soon became a virtuoso.
After Calace graduated with high honors from the Regio Conservatorio di Musica in Naples, he set out to elevate the mandolin's place in music. To achieve this, he toured Europe and Japan, giving concerts on the Neapolitan mandolin and liuto cantabile.
Raffaele Calace wrote about 200 compositions for mandolin. These include concert works for mandolin solo and compositions for mandolin and other instruments—duets with piano, trio combinations with mandola and guitar, the Romantic Mandolin Quartet (two mandolins, mandola, and guitar), and quintets.
Calace also wrote pedagogical works, including a mandolin method and a method for playing the liuto cantabile. The mandolin method was published in 1910 and elaborates on the 18th-century Italian mandolin tutors by Giovanni Battista Gervasio (c. 1725–c. 1785), Gabriele Leone (c. 1725–c. 1790) and others. It shows the development of the traditional Italian playing style.
The Calace school forms a bridge between other modern methods for mandolin, such as those by Raffaele Calace's countryman Silvio Ranieri (1882-1956), a Roman virtuoso who settled in Brussels, and the American-based Italian mandolinist Giuseppe Pettine (1874-1966).
Giuseppe Pettine (born Giuseppe Antonio Luigi Pettine; in Isernia, Italy, 13 February 1874 – 1966) was an Italian-American concert mandolinist, teacher, and composer.
Pettine started to study the mandolin with Camille Mastropaolo at a very early age. After the Pettine family emigrated to the United States in 1889 and settled in Providence, Rhode Island, Giuseppe was regarded as a child prodigy of the mandolin because of his great concert appearances.
Raffaele Calace (1863–1934) dedicated his First Mandolin Concerto op. 113 to Pettine, his fellow countryman and friend, in honor of his skills and passion for the mandolin.
Pettine was a member of the Big Trio, a trio formed by guitarist William Foden, banjoist Frederick Bacon and Giuseppe Pettine on mandolin. He published a mandolin method book in 1896, and a comprehensive seven-volume tutorial for the mandolin, titled Pettine's Modern Mandolin School.
He also became a teacher of the Italian mandolin technique. Members of his school of American mandolinists include William Place Jr. (1889–1959) and Alfonso Balasone (Albert Bellson, 1897–1977).
Today the Pettine method is still regarded as one of the most comprehensive works for mandolin ever published.
Besides these activities Pettine was concerned with the development and production of fine mandolins. For this he worked in close cooperation with the well-known VEGA musical instrument manufacturers company in Boston, creating the "Giuseppe Pettine Special" model, a soloist mandolin modelled after the modern Neapolitan mandolin designed by the Vinaccia luthier family of Naples.
As a composer he greatly contributed to the mandolin repertoire, writing original music for solo mandolin and mandolin in combination with other instruments. Works include his published three-movement concerto titled Concerto Patetico for mandolin and piano accompaniment. This concerto also exists in an unpublished incomplete version for solo mandolin and orchestra consisting of winds and plucked instruments. The orchestra parts were written for first and second mandolin, mandola, mandoloncello, bass, tenor banjo, flute, piccolo flute, clarinet in A, bassoon, horn in F and timbales.
Another of Pettine's compositions for solo mandolin is his Fantasia Romantica, a substantial work in which he emphasizes the wonderful possibilities of the instrument by including seldom-heard harmonics, both natural and artificial, with chord arpeggios and virtuosic scale passages.
Not all of Pettine's works were for the mandolin. In 1925, he published 44 Solos in Duo Style, a book of moderate to advanced-level etudes and solo pieces for the tenor banjo. According to the book's preface, it was written twenty-five years after his "systematized 'Duo School' for the Mandolin" and was the first complete book on the 'Duo Style of Tenor Banjo Playing'.
http://www.themandolinworld.com
6:: Chaconne Bach on Mandolin by Giuseppe Pettine
23.12.2023 · 21:47:20 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #raffaelecalace #bach
Johann Sebastian Bach Chaconne on mandolin
The Partita in D minor for solo violin (BWV 1004) by Johann Sebastian Bach was written between 1717 and 1720. It is a part of his compositional cycle called Sonatas and Partitas for Solo Violin.
A chaconne (Spanish: chacona, Italian: ciaccona, earlier English: chacony) is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offers a compositional outline for variation, decoration, figuration and melodic invention.
In this it closely resembles the passacaglia. It originates and was particularly popular in the Baroque era; a large number of Chaconnes exist from the 17th and 18th centuries.
The ground bass, if there is one, may typically descend stepwise from the tonic to the dominant pitch of the scale; the harmonies given to the upper parts may emphasize the circle of fifths or a derivative pattern thereof.
Giuseppe Pettine (born Giuseppe Antonio Luigi Pettine; in Isernia, Italy, 13 February 1874 – 1966) was an Italian-American concert mandolinist, teacher, and composer.
Pettine started to study the mandolin with Camille Mastropaolo at a very early age. After the Pettine family emigrated to the United States in 1889 and settled in Providence, Rhode Island, Giuseppe was regarded as a child prodigy of the mandolin because of his great concert appearances.
Raffaele Calace (1863–1934) dedicated his First Mandolin Concerto op. 113 to Pettine, his fellow countryman and friend, in honor of his skills and passion for the mandolin.
Pettine was a member of the Big Trio, a trio formed by guitarist William Foden, banjoist Frederick Bacon and Giuseppe Pettine on mandolin. He published a mandolin method book in 1896, and a comprehensive seven-volume tutorial for the mandolin, titled Pettine's Modern Mandolin School.
He also became a teacher of the Italian mandolin technique. Members of his school of American mandolinists include William Place Jr. (1889–1959) and Alfonso Balasone (Albert Bellson, 1897–1977).
Today the Pettine method is still regarded as one of the most comprehensive works for mandolin ever published.
Besides these activities Pettine was concerned with the development and production of fine mandolins. For this he worked in close cooperation with the well-known VEGA musical instrument manufacturers company in Boston, creating the "Giuseppe Pettine Special" model, a soloist mandolin modelled after the modern Neapolitan mandolin designed by the Vinaccia luthier family of Naples.
As a composer he greatly contributed to the mandolin repertoire, writing original music for solo mandolin and mandolin in combination with other instruments. Works include his published three-movement concerto titled Concerto Patetico for mandolin and piano accompaniment. This concerto also exists in an unpublished incomplete version for solo mandolin and orchestra consisting of winds and plucked instruments. The orchestra parts were written for first and second mandolin, mandola, mandoloncello, bass, tenor banjo, flute, piccolo flute, clarinet in A, bassoon, horn in F and timbales.
Another of Pettine's compositions for solo mandolin is his Fantasia Romantica, a substantial work in which he emphasizes the wonderful possibilities of the instrument by including seldom-heard harmonics, both natural and artificial, with chord arpeggios and virtuosic scale passages.
Not all of Pettine's works were for the mandolin. In 1925, he published 44 Solos in Duo Style, a book of moderate to advanced-level etudes and solo pieces for the tenor banjo. According to the book's preface, it was written twenty-five years after his "systematized 'Duo School' for the Mandolin" and was the first complete book on the 'Duo Style of Tenor Banjo Playing'.
www.themandolinworld.com
7:: Serenata malinconica Raffaele Calace - mandocello 10 strings
03.12.2023 · 22:59:37 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #raffaelecalace #serenata
Serenata malinconica Raffaele Calace for mandocello 10 strings
(Liuto cantabile : 10 strings mandocello)
Remastered by The Mandolin World
Raffaele Calace (1863 – 1934) was an Italian mandolin player, composer, and luthier.
Calace was born in Naples, Italy, the son of Antonio Calace, a successful instrument maker. He initially trained to be a musician, discovered the mandolin, and soon became a virtuoso.
After Calace graduated with high honors from the Regio Conservatorio di Musica in Naples, he set out to elevate the mandolin's place in music. To achieve this, he toured Europe and Japan, giving concerts on the Neapolitan mandolin and liuto cantabile.
The liuto cantabile is a bass variant of the mandolin family that scholars believe Neapolitan luthiers of the Vinaccia family created in the last decade of the 19th century, and that Raffaele Calace subsequently perfected. Raffaele Calace made three long-playing phonograph records on which he plays mandolin and liuto cantabile.
Raffaele Calace wrote about 200 compositions for mandolin. These include concert works for mandolin solo and compositions for mandolin and other instruments—duets with piano, trio combinations with mandola and guitar, the Romantic Mandolin Quartet (two mandolins, mandola, and guitar), and quintets.
Calace also wrote pedagogical works, including a mandolin method and a method for playing the liuto cantabile. The mandolin method was published in 1910 and elaborates on the 18th-century Italian mandolin tutors by Giovanni Battista Gervasio (c. 1725–c. 1785), Gabriele Leone (c. 1725–c. 1790) and others. It shows the development of the traditional Italian playing style.
The Calace school forms a bridge between other modern methods for mandolin, such as those by Raffaele Calace's countryman Silvio Ranieri (1882-1956), a Roman virtuoso who settled in Brussels, and the American-based Italian mandolinist Giuseppe Pettine (1874-1966).
http://www.themandolinworld.com
#mandolin #mandoline #mandolino #bandolim #mandolina #bandola #mandoloncello #calace #マンドリン
8:: Maria & Raffaele CALACE plays TARANTELLA Op. 18 for mandolin, mandocello and piano. SCORE !
29.11.2023 · 14:03:07 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #raffaelecalace #tarantella
Maria & Raffaele CALACE plays TARANTELLA Op. 18 for mandolin, mandocello and piano.
Remastered by The Mandolin World
Raffaele Calace (1863 – 1934) was an Italian mandolin player, composer, and luthier.
Calace was born in Naples, Italy, the son of Antonio Calace, a successful instrument maker. He initially trained to be a musician, discovered the mandolin, and soon became a virtuoso.
After Calace graduated with high honors from the Regio Conservatorio di Musica in Naples, he set out to elevate the mandolin's place in music. To achieve this, he toured Europe and Japan, giving concerts on the Neapolitan mandolin and liuto cantabile.
The liuto cantabile is a bass variant of the mandolin family that scholars believe Neapolitan luthiers of the Vinaccia family created in the last decade of the 19th century, and that Raffaele Calace subsequently perfected. Raffaele Calace made three long-playing phonograph records on which he plays mandolin and liuto cantabile.
Raffaele Calace wrote about 200 compositions for mandolin. These include concert works for mandolin solo and compositions for mandolin and other instruments—duets with piano, trio combinations with mandola and guitar, the Romantic Mandolin Quartet (two mandolins, mandola, and guitar), and quintets.
Calace also wrote pedagogical works, including a mandolin method and a method for playing the liuto cantabile. The mandolin method was published in 1910 and elaborates on the 18th-century Italian mandolin tutors by Giovanni Battista Gervasio (c. 1725–c. 1785), Gabriele Leone (c. 1725–c. 1790) and others. It shows the development of the traditional Italian playing style.
The Calace school forms a bridge between other modern methods for mandolin, such as those by Raffaele Calace's countryman Silvio Ranieri (1882-1956), a Roman virtuoso who settled in Brussels, and the American-based Italian mandolinist Giuseppe Pettine (1874-1966).
http://www.themandolinworld.com
#mandolin #mandoline #mandolino #bandolim #mandolina #bandola #mandoloncello #calace #マンドリン
9:: RAFFAELE CALACE plays Danza dei Nani : Raffaele Calace ITALIAN MANDOLIN Virtuoso - Mandolin SCORE
28.11.2023 · 16:38:31 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #raffaelecalace #mandolininstrument
The Italian Mandolin virtuoso and composer Raffaele Calace (mandolin) plays Danza dei Nani op. 43
Remastered by The Mandolin World
Raffaele Calace (1863 – 1934) was an Italian mandolin player, composer, and luthier.
Calace was born in Naples, Italy, the son of Antonio Calace, a successful instrument maker. He initially trained to be a musician, discovered the mandolin, and soon became a virtuoso.
After Calace graduated with high honors from the Regio Conservatorio di Musica in Naples, he set out to elevate the mandolin's place in music. To achieve this, he toured Europe and Japan, giving concerts on the Neapolitan mandolin and liuto cantabile.
Raffaele Calace wrote about 200 compositions for mandolin. These include concert works for mandolin solo and compositions for mandolin and other instruments—duets with piano, trio combinations with mandola and guitar, the Romantic Mandolin Quartet (two mandolins, mandola, and guitar), and quintets.
Calace also wrote pedagogical works, including a mandolin method and a method for playing the liuto cantabile. The mandolin method was published in 1910 and elaborates on the 18th-century Italian mandolin tutors by Giovanni Battista Gervasio (c. 1725–c. 1785), Gabriele Leone (c. 1725–c. 1790) and others. It shows the development of the traditional Italian playing style.
The Calace school forms a bridge between other modern methods for mandolin, such as those by Raffaele Calace's countryman Silvio Ranieri (1882-1956), a Roman virtuoso who settled in Brussels, and the American-based Italian mandolinist Giuseppe Pettine (1874-1966).
http://www.themandolinworld.com
#mandolin #mandoline #mandolino #bandolim #mandolina #bandola
10:: Raffaele Calace and Maria Calace plays Ludwig van Beethoven Adagio Eb
19.11.2023 · 13:02:13 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #raffaelecalace #beethoven
Raffaele Calace and Maria Calace plays Ludwig van Beethoven Adagio Eb
Raffaele CALACE (29 December 1863 Napoli, 14 November 1934.) (Liuto cantabile)
Maria CALACE (1892 +1967) (Mandolin)
Johannes HEIDENREICH (Piano)
Adagio Es-Dur, Ludwig van Beethoven
Original for mandolin and piano
Deutsch. Instrumental. Schallplatte “Grammophon”, 20521 (B 49154, 179 ck) (25 cm) (*Once in the Robert Milan Alexander discotheque, Zagreb/Salzburg; a gift from Gerda Alexander, Samobor, Croatia)
Ludwig van Beethoven composed at least six works for mandolin, four of which survive. None were published during his lifetime. Though known better as a pianist, Beethoven possessed a Milanese mandolin, which was hung beside his piano.
He was friends with two prominent mandolinists, both of whom were linked to his surviving mandolin music.
Beethoven cultivated a relationship with Wenzel Krumpholz, a Bohemian violinist and mandolin virtuoso who played the violin in the opera orchestra in Vienna.
Carl Czerny wrote of Krumpholz that he was one of the first to recognize Beethoven's genius.
Beethoven had met Krumpholz in Vienna in 1795, after the release of Beethoven's Three Trios for Piano, Op. 1.
Beethoven took violin lessons from Krumpholz and "the close relationship between Beethoven and Krumpholz may have led to the composition of two pieces for mandolin and harpsichord" (WoO 43, Numbers 1 and 2).
As these were likely first attempts, Beethoven never published the pieces.
The other mandolinist was Josephine of Clary-Aldringen, the wife of Count Christian Philipp Clam-Gallas and mother of Eduard Clam-Gallas; the couple invited Beethoven in on his first visit to Prague to their palace, and he dedicated the aria "Ah! perfido" to the count's wife.
Josephine was a student of Johann Baptist Kucharz, a composer and organist who was also a mandolinist.
He was the first to play mandolin in Mozart's Don Giovanni in the first production in 1787.
Joseph Braunstein said that Beethoven composed the second set of works (WoO 44, Numbers 1 and 2) in 1796, after he met Josephine in Prague.
He also "revised" the second of his 1795 works (WoO43 #2) for the countess, adding a dedication, "pour la belle Josephine."
According to Robert Cummings, Beethoven's four works using mandolin were all composed for the countess and were discovered in her husband's collection.
Beethoven wrote his mandolin works near the beginning of his career. The works are numbered in the WoO system of 'works without opus number', which designates compositions written throughout his career which were never published with an opus number.
For example, Ah! perfido Op. 65, dedicated to countess Josephine and written about the same time as the mandolin sonatas, wasn't given an opus number until 1819. Beethoven was not known for his mandolin works, and ultimately focused elsewhere. However, Joseph Braunstein said of these pieces that, although "not great music ... they are valuable miniatures that fit well, biographically and stylistically, into the period of Beethoven's Opus 1, his first sonatas, the String Trio in E-flat, the song "Adelaide", and the Piano Concerto in B-flat."
Mandolin works
• Sonatina in C minor, WoO 43, No. 1
• Adagio in E-flat, WoO 43, No. 2
• Sonatina in C, WoO 44, No. 1
• Andante and Variations in D, WoO 44, No. 2
11:: Hamilton de Holanda Bandolim : Italian Mandolin and Brazilian Bandolim 10 strings differences
01.11.2023 · 08:54:35 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #hamiltondeholanda #brazilianmusic #mandolin
Hamilton de Holanda Bandolim : Italian Mandolin 8 strings and Brazilian Bandolim 10 strings differences.
Hamilton de Holanda is a Brazilian bandolinist known for his mixture of choro and contemporary jazz, and for his instrumental virtuosity.
Born in Rio de Janeiro he moved to Brasilia with his family as a boy.
He started playing the bandolin at 5 and appeared at his first performance at six. With his brother Fernando César he formed the group Dois de Ouro and throughout his career he has collaborated with many other significant artists such as Yamandu Costa, Mike Marshall, Joel Nascimento, Egberto Gismonti, Hermeto Pascoal, Gonzalo Rubalcaba and many others.
He has received several Latin Grammys.
He has taught at the Raphael Rabello Choro academy.
He plays a custom made 10 string Bandolim.
Hamilton de Holanda is widely considered as the best Brazilian mandolin player and as one of the greatest virtuosos of bandolim of all times.
www.themandolinworld.com
12:: Hamilton de Holanda, the great Brazilian Bandolim player, talks about his musical story
24.10.2023 · 18:15:55 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #hamiltondeholanda #brazilianmusic #mandolin
Hamilton de Holanda Bandolim : Interview
Hamilton de Holanda is a Brazilian bandolinist known for his mixture of choro and contemporary jazz, and for his instrumental virtuosity.
Born in Rio de Janeiro he moved to Brasilia with his family as a boy.
He started playing the bandolin at 5 and appeared at his first performance at six.
With his brother Fernando César he formed the group Dois de Ouro and throughout his career he has collaborated with many other significant artists such as Yamandu Costa, Mike Marshall, Joel Nascimento, Egberto Gismonti, Hermeto Pascoal, Gonzalo Rubalcaba and many others.
He has received several Latin Grammys.
He has taught at the Raphael Rabello Choro academy.
He plays a custom made 10 string Bandolim.
Hamilton de Holanda is widely considered as the best Brazilian mandolin player and as one of the greatest virtuosos of bandolim of all times.
www.themandolinworld.com
13:: Evan J. Marshall Mandolin Technic : Pizzicato Left hand
18.10.2023 · 13:38:17 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #bluegrass #evanjmarshall
Evan J. Marshall Mandolin Technic : Pizzicato Left hand
#Mandolin #Mandolino #Mandoline #Bandolim
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Evan J. Marshall
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14:: Giovanni Gioviale Mandolin virtuoso plays Viale Fiorito
12.10.2023 · 11:11:35 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #italianfolkmusic #giovannigioviale
Giovanni Gioviale Mandolin virtuoso plays Viale Fiorito
Giovanni Gioviale (November 1885 – June 11, 1949) was an italian composer and mandolin player.
He is considered one of the greatest mandolin virtuosos of all time.
He also played guitar banjo and level violin.
He is special among the Italian mandolin masters, as one of the only ones to be recorded.
He has also been credited for making famous the duo style of mandolin playing, in which one instrument sounds like several.
Born in Catania (Italy), Gioviale took up the mandolin when he was ten-years old.
He was impressed by the music he heard at a barbershop. Craft halls were one of the types of place one could hear music in Catania then. He learned the mandolin first, then added banjo, guitar and violin, which he learned in school.
He was an internationally travelling performer, performing in Spain, Africa, England, Austria and the United States. While in the United States, from 1926 to 1929, he recorded more than 50 recordings. After three years in the U.S., he missed his home and moved back to Italy. He was planning to return when he died in 1949.
15:: Evan J. Marshall plays Neapolitan songs on mandolin
11.10.2023 · 07:15:19 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· #mandolin #canzonenapoletana #italianfolkmusic
Evan J. Marshall plays Neapolitan songs on mandolin
Mandolin, Mandoline, mandolino, bandolim, balalaika, domra lovers and Mandolin players, this is the place for you.
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16:: Evan J. Marshall Mandolin : Duo Style - Recuerdos de la Alhambra, Tarrega and Ave Maria, Gounod
06.10.2023 · 11:30:12 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· Mandolin Mandolino Mandoline Bandolim
マンドリン domra balalaika players, this is the place for you ! The Mandolin World
Evan J. Marshall
Join us on our Facebook Group :
https://www.facebook.com/groups/427384558064249/
http://www.themandolinworld.com
#mandolin #mandoline #mandolino #bluegrass #bandolim #mandolina #tarrega #avemaria #gounod #evanjmarshall #evanmarshall
#tremolo
17:: Evan J. Marshall : How i started to play mandolin
30.09.2023 · 13:36:15 ··· 01.01.1970 · 01:00:00 ··· 01.01.1970 · 01:00:00 ··· ··· ··· ··· ··· ··· Mandolin Mandolino Mandoline Bandolim
マンドリン domra balalaika players, this is the place for you ! The Mandolin World
Evan J. Marshall
Join us on our Facebook Group :
https://www.facebook.com/groups/427384558064249/
http://www.themandolinworld.com
#mandolin #mandoline #mandolino #bluegrass #bandolim #mandolina #fiddleplayer #violin #fiddles
