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Armide.
Ópera em 5 atos.
Libreto de Philippe Quinault.
Legendado Português.
Parte 01.
Les Arts Florissants
William Christie
Link para Parte 02
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Armide.
Ópera em 5 atos.
Libreto de Philippe Quinault.
Legendado Português.
Parte 01.
Les Arts Florissants
William Christie
Link para a Parte 01
https://youtu.be/QD_8wPdkwlI/media:description>
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media:description>Inscription mise sur la grande porte de Thélème
François Rabelais. Gargantua.
Ci n'entrez pas, hypocrites, bigots,
Vieux matagots, souffreteux bien enflés,
Torcols, idiots plus que n'étaient les Goths
Ou les Ostrogoths, précurseurs des magots,
Porteurs de haires, cagots, cafards empantouflés.
Gueux emmitouflés, frappards écorniflés,
Bafoués, enflés, qui allumez les fureurs;
Filez ailleurs vendre vos erreurs.
Ces erreurs de méchants
Empliraient mes champs
De méchanceté
Et par fausseté
Troubleraient mes chants,
Ces erreurs de méchants.
Ci n'entrez pas, juristes mâchefoins,
Clercs, basochiens, qui le peuple mangez,
Juges d'officialité, scribes et pharisiens,
Juges anciens qui les bons paroissiens
Ainsi que des chiens jetez au charnier;
Votre salaire est au gibet.
Allez-y braire; ici on ne fait nul excès
Qui puisse en vos cours susciter un procès.
Pour procès et débats,
Il n'y a guère de lieu d'ébat
Ici où l'on vient s'ébattre
Pour votre soûl débattre,
Puissiez-vous avoir plein cabas
De procès et débats.
Ici n'entrez pas, vous, usuriers avares,
Gloutons, lécheurs, qui toujours amassez,
Grippeminauds, souffleurs de brouillard,
Courbés, camards, qui dans vos coquemars
De mille marcs n'auriez pas assez.
Vous n'êtes pas écoeurés pour ensacher
Et entasser, flemmards à la maigre face;
Que la male mort sur-le-champ vous efface.
Ah! face inhumaine
De ces gens! Qu'on les mène
Tondre ailleurs. Céans
Ce serait malséant;
Quittez ce domaine,
Face inhumaine.
Ci n'entrez pas, vous, balourds mâtins,
Ni soirs ni matins, vieux chagrins et jaloux;
Vous non plus, rebelles, mutins,
Ectoplasmes, lutins, de Danger comtes palatins,
Grecs ou latins, plus à craindre que loups;
Ni vous, galeux, vérolés jusqu'au cou;
Emmenez vos lupus ronger ailleurs de bon coeur
Croûteux, couverts de déshonneur.
Honneur, louange, bon temps
Sont ici constants
D'un joyeux accord.
Tous sont sains de corps
Aussi leur dis-je vraiment:
Honneur, louange, bon temps.
Ci entrez, et soyez bienvenus,
Bien réussis, vous tous, nobles chevaliers.
C'est ici le lieu où les revenus
Sont bien reçus pour qu'entretenus
Grands et peuple menu, vous soyez par milliers.
Vous serez mes intimes et mes familiers:
Gaillards et délurés, joyeux, plaisants, mignons,
Tous de la classe des gentils compagnons.
Compagnons gentils,
Sereins et subtils,
Sans nulle bassesse,
De délicatesse,
Voici les outils,
Compagnons gentils.
Ci entrez, vous, qui le saint Evangile
Annoncez en sens agile malgré ce qu'on gronde;
Vous aurez céans refuge et bastille;
Contre l'hostile erreur qui tant distille
Son faux style pour en empoisonner le monde:
Entrez, que l'on fonde ici la foi profonde,
Puis que l'on confonde par écrit et par vives paroles
Les ennemis de la sainte Parole.
Que la Parole sainte
Désormais ne soit éteinte
En ce lieu très saint.
Que chacun en soit ceint,
Que chacune porte en son sein
La parole sainte.
Ci entrez, vous, dames de haut parage,
Sans ambages, entrez sous d'heureux présages,
Fleurs de beauté au céleste visage,
Sveltes comme pages, au maintien pudique et sage.
Faire séjour ici est gage d'honneur.
Le grand seigneur qui fut du lieu donateur
Et dispensateur, a pour vous tout ordonné
Et a, pour parer à tout, beaucoup d'or donné.
Or donné par don
Ordonne pardon
A qui le dispense.
Et c'est haute récompense,
Pour tout homme de droit sens
Qu'or donné par don.
François RABELAIS
Music by Adrien Le Roy. France 16th Century.
Performed by Eric Bellocq. Renaissance Guitar./media:description>
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title>Mirelaridon/title>
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author>
name>Marcos Oliveira/name>
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published>2013-02-07T14:12:01+00:00/published>
updated>2024-05-09T03:42:36+00:00/updated>
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media:title>Mirelaridon/media:title>
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media:description>Mirelaridon don don don daine
Mirelaridaine et mirelaridon
Le varlet e la chambriere au marche vont
La fille port ung panier tou plain doignons
Et le varlet un pourceau maine
Mirelaridaine
Mirelaridon don don don daine
Mirelaridon
A non Dieu dit la fillette or voy je bien
Que le varlet qui my maine ne vault rien
Qui me gette sur lavoyne
Mirelaridaine
Mirelaridon don don don daine
Mirelaridon
A non Dieu dit la fillette or voy je bien
Que le varlet qui my maine ne vault rien
Au besoing luy fault laleine
Mirelaridaine
Mirelaridon don don don daine
Mirelaridon
Music by Guillaume Le Heurteur. France. 16th century.
Performed by Ensemble Clement Janequin./media:description>
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title>Expresso para o Inferno (Runaway Train) - Andrei Konchalovsky - 1985 - Final/title>
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author>
name>Marcos Oliveira/name>
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published>2011-05-18T16:43:30+00:00/published>
updated>2024-05-16T12:58:40+00:00/updated>
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media:title>Expresso para o Inferno (Runaway Train) - Andrei Konchalovsky - 1985 - Final/media:title>
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media:description>Talvez o final de filme mais bonito da história.
Você está livre Manny, por você e pelos outros.
Grande atuação de Jon Voight.
Elenco:
Jon Voight - Manny
Eric Roberts - Buck
Rebecca De Mornay - Sara
Kyle T. Heffner - Frank/media:description>
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title>Psalm 91 - Qui Habitat in Adjutorio (He that dwells in the aid of the most High) - Bálint Bakfark/title>
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name>Marcos Oliveira/name>
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published>2011-05-16T11:51:07+00:00/published>
updated>2024-05-08T10:41:08+00:00/updated>
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media:title>Psalm 91 - Qui Habitat in Adjutorio (He that dwells in the aid of the most High) - Bálint Bakfark/media:title>
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media:description>Bálint Bakfark (his name is variously spelled as Bacfarc, Bakfarc, Bakfarkh, Bakffark, Backuart, and occasionally his first name is rendered as Valentin); 1507 -- August 15 or August 22, 1576) was a Hungarian composer and lutenist of the Renaissance. He was enormously influential as a lutenist in his time, and renowned as a virtuoso on the instrument.
PSALM 91
1 Qui habitat in adjutorio Altissimi, in protectione Dei cæli commorabitur. 2 Dicet Domino : Susceptor meus es tu, et refugium meum; Deus meus, sperabo in eum. 3 Quoniam ipse liberavit me de laqueo venantium, et a verbo aspero. 4 Scapulis suis obumbrabit tibi, et sub pennis ejus sperabis. 5 Scuto circumdabit te veritas ejus : non timebis a timore nocturno; 6 a sagitta volante in die, a negotio perambulante in tenebris, ab incursu, et dæmonio meridiano. 7 Cadent a latere tuo mille, et decem millia a dextris tuis; ad te autem non appropinquabit. 8 Verumtamen oculis tuis considerabis, et retributionem peccatorum videbis. 9 Quoniam tu es, Domine, spes mea; Altissimum posuisti refugium tuum. 10 Non accedet ad te malum, et flagellum non appropinquabit tabernaculo tuo. 11 Quoniam angelis suis mandavit de te, ut custodiant te in omnibus viis tuis. 12 In manibus portabunt te, ne forte offendas ad lapidem pedem tuum. 13 Super aspidem et basiliscum ambulabis, et conculcabis leonem et draconem. 14 Quoniam in me speravit, liberabo eum; protegam eum, quoniam cognovit nomen meum. 15 Clamabit ad me, et ego exaudiam eum; cum ipso sum in tribulatione : eripiam eum, et glorificabo eum. 16 Longitudine dierum replebo eum, et ostendam illi salutare meum.
1 He that dwelleth in the secret place of the Most High Shall abide under the shadow of the Almighty. 2 I will say of Jehovah, He is my refuge and my fortress; My God, in whom I trust. 3 For he will deliver thee from the snare of the fowler, And from the deadly pestilence. 4 He will cover thee with his pinions, And under his wings shalt thou take refuge: His truth is a shield and a buckler. 5 Thou shalt not be afraid for the terror by night, Nor for the arrow that flieth by day; 6 For the pestilence that walketh in darkness, Nor for the destruction that wasteth at noonday. 7 A thousand shall fall at thy side, And ten thousand at thy right hand; [But] it shall not come nigh thee. 8 Only with thine eyes shalt thou behold, And see the reward of the wicked. 9 For thou, O Jehovah, art my refuge! Thou hast made the Most High thy habitation; 10 There shall no evil befall thee, Neither shall any plague come nigh thy tent. 11 For he will give his angels charge over thee, To keep thee in all thy ways. 12 They shall bear thee up in their hands, Lest thou dash thy foot against a stone. 13 Thou shalt tread upon the lion and adder: The young lion and the serpent shalt thou trample under foot. 14 Because he hath set his love upon me, therefore will I deliver him: I will set him on high, because he hath known my name. 15 He shall call upon me, and I will answer him; I will be with him in trouble: I will deliver him, and honor him. 16 With long life will I satisfy him, And show him my salvation./media:description>
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title>Ravi Shankar in Portrait - Final/title>
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author>
name>Marcos Oliveira/name>
uri>https://www.youtube.com/channel/UCEAzTHG3CeF7EFuJUvIvxbA/uri>
/author>
published>2011-04-04T23:46:24+00:00/published>
updated>2024-05-08T09:45:15+00:00/updated>
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media:title>Ravi Shankar in Portrait - Final/media:title>
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media:description>Final of the documentary Ravi Shankar in Portrait
BBC / Opus Arte - 2002
Great artist, great man./media:description>
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title>Two indian girls performing Bharat Natyam Dance/title>
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author>
name>Marcos Oliveira/name>
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/author>
published>2011-04-04T03:39:05+00:00/published>
updated>2024-05-09T02:07:06+00:00/updated>
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media:title>Two indian girls performing Bharat Natyam Dance/media:title>
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media:description>Two girls performing Bharat Natyam Dance, a typical dance of India, for the great indian musician Ravi Shankar and his family.
Let us think of India:
The India of Gandhi,
The India of The Mahabharata,
The India of Buddha,
The India of Wisdom,
The India of the great Ganges
The India of its heavenly temples.
You will smile even if you do not want to.
From the documentary Ravi Shankar in Portrait. BBC. 2002./media:description>
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id>yt:video:ovXmJHy1BqY/id>
yt:videoId>ovXmJHy1BqY/yt:videoId>
yt:channelId>UCEAzTHG3CeF7EFuJUvIvxbA/yt:channelId>
title>Jacques Gallot - Suite in F Sharp Minor - Prelude - A Magical Music/title>
link rel="alternate" href="https://www.youtube.com/watch?v=ovXmJHy1BqY"/>
author>
name>Marcos Oliveira/name>
uri>https://www.youtube.com/channel/UCEAzTHG3CeF7EFuJUvIvxbA/uri>
/author>
published>2010-08-23T14:38:32+00:00/published>
updated>2024-05-09T18:44:02+00:00/updated>
media:group>
media:title>Jacques Gallot - Suite in F Sharp Minor - Prelude - A Magical Music/media:title>
media:content url="https://www.youtube.com/v/ovXmJHy1BqY?version=3" type="application/x-shockwave-flash" width="640" height="390"/>
media:thumbnail url="https://i4.ytimg.com/vi/ovXmJHy1BqY/hqdefault.jpg" width="480" height="360"/>
media:description>Jacques Gallot (or Jacques de Gallot, le vieux Gallot de Paris) (c. 1625 -- c. 1695, Paris, France) was a French lutenist and composer.
He came from a Parisian family of lutenists and composers. He was a student of Ennemond Gaultier. In Paris, he published Pièces de luth composées sur differens mode introduced by a brief treatment of the lute.
Style brisé (French: "broken style") is a term for broken, arpeggiated texture in instrumental music. It usually refers to French Baroque music for lute, keyboard instruments or the viol. French Baroque musicians referred to this type of texture as style luthé ("lute style"), since it originated in lute music.
The defining feature of style brisé is the use of diverse, unpredictable ways of breaking up chordal progressions and melodies. This technique was first used by early French lutenists such as Ennemond Gaultier (c.1575--1651) and Denis Gaultier (1603--1672) and quickly gained popularity in France.
Jacques Gallot was also one of the developers of this musical form and the music heard in this video is a great example of that style of composition and playing of the lute.
It is a magical music!!!
From the CD Jacques de Gallot - Pièces de Luth
Astrée Auvidis
Hopkinson Smith, Lute/media:description>
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entry>
id>yt:video:_oF_PKHp1F8/id>
yt:videoId>_oF_PKHp1F8/yt:videoId>
yt:channelId>UCEAzTHG3CeF7EFuJUvIvxbA/yt:channelId>
title>Sylvius Leopold Weiss - Ouverture in B Major - A very happy music/title>
link rel="alternate" href="https://www.youtube.com/watch?v=_oF_PKHp1F8"/>
author>
name>Marcos Oliveira/name>
uri>https://www.youtube.com/channel/UCEAzTHG3CeF7EFuJUvIvxbA/uri>
/author>
published>2010-08-10T15:32:59+00:00/published>
updated>2024-05-12T03:44:24+00:00/updated>
media:group>
media:title>Sylvius Leopold Weiss - Ouverture in B Major - A very happy music/media:title>
media:content url="https://www.youtube.com/v/_oF_PKHp1F8?version=3" type="application/x-shockwave-flash" width="640" height="390"/>
media:thumbnail url="https://i4.ytimg.com/vi/_oF_PKHp1F8/hqdefault.jpg" width="480" height="360"/>
media:description>One of the happiest music I have ever heard with one of the happiest images I have ever seen.
I hope it also makes you happy.
Silvius Leopold Weiss (1687 -- 1750)
Ouverture in B Major
Konrad Junghanel, lute/media:description>
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entry>
id>yt:video:4NV__3MV6LQ/id>
yt:videoId>4NV__3MV6LQ/yt:videoId>
yt:channelId>UCEAzTHG3CeF7EFuJUvIvxbA/yt:channelId>
title>Vincenzo Capirola - Padoana Alla Francesa - A renaissance (rebirth) for life music/title>
link rel="alternate" href="https://www.youtube.com/watch?v=4NV__3MV6LQ"/>
author>
name>Marcos Oliveira/name>
uri>https://www.youtube.com/channel/UCEAzTHG3CeF7EFuJUvIvxbA/uri>
/author>
published>2010-08-07T19:40:36+00:00/published>
updated>2024-05-07T23:06:18+00:00/updated>
media:group>
media:title>Vincenzo Capirola - Padoana Alla Francesa - A renaissance (rebirth) for life music/media:title>
media:content url="https://www.youtube.com/v/4NV__3MV6LQ?version=3" type="application/x-shockwave-flash" width="640" height="390"/>
media:thumbnail url="https://i1.ytimg.com/vi/4NV__3MV6LQ/hqdefault.jpg" width="480" height="360"/>
media:description>Little is known about Vincenzo Capirola´s life, but it is certain that he was born about 1474 in Brescia from a noble family, had a high level education, was the author of the famous Capirola´s Lute Book and that after have travelled a lot, he eventually established his career as a musician and composer in Venice and died there about 1548.
I uploaded this video wondering that Vincenzo used to watch this very same sunset in Venice while playing his lute.
Travel back in time and imagine yourself having the privilege of being beside him listening to his music and appreciating this landscape from his house´s window.
This music also makes me meet my inner child and arises in me the sense of making peace, knowing and strengthen the bonds with myself, the mankind and the Universe. In other words, it is Renaissance.
From the CD Vincenzo Capirola Lute Book
Disques Pierre Verany
Federico Marincola, lute/media:description>
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id>yt:video:24A-oskfhLo/id>
yt:videoId>24A-oskfhLo/yt:videoId>
yt:channelId>UCEAzTHG3CeF7EFuJUvIvxbA/yt:channelId>
title>TRIO NORDESTINO - Por Causa da Pepita/title>
link rel="alternate" href="https://www.youtube.com/watch?v=24A-oskfhLo"/>
author>
name>Marcos Oliveira/name>
uri>https://www.youtube.com/channel/UCEAzTHG3CeF7EFuJUvIvxbA/uri>
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published>2010-03-31T00:53:35+00:00/published>
updated>2024-05-08T13:59:44+00:00/updated>
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media:title>TRIO NORDESTINO - Por Causa da Pepita/media:title>
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media:description>TRIO NORDESTINO
Por Causa da Pepita/media:description>
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mgpoliveira
03.05.2024 · 02:14:46 ···
01.01.1970 · 01:00:00 ···
01.08.2023 · 08:00:29 ··· 5 ··· ··· 21 ···
20.08.2024 · 04:18:59 ···
01.01.1970 · 01:00:00 ···
01.08.2023 · 08:00:29 ··· 5 ··· ··· 21 ···
1:: Jean-Baptiste Lully. Armide. Legendado Português. Parte 01.
01.01.1970 · 01:00:00 ··· 01.05.2021 · 02:02:10 ··· ··· ··· ··· ··· ··· Jean-Baptiste Lully (1632-1687).
Armide.
Ópera em 5 atos.
Libreto de Philippe Quinault.
Legendado Português.
Parte 01.
Les Arts Florissants
William Christie
Link para Parte 02
https://youtu.be/WVEXmzkBMag
2:: Jean-Baptiste Lully. Armide. Legendado Português. Parte 02.
01.01.1970 · 01:00:00 ··· 01.05.2021 · 02:02:03 ··· ··· ··· ··· ··· ··· Jean-Baptiste Lully (1632-1687).
Armide.
Ópera em 5 atos.
Libreto de Philippe Quinault.
Legendado Português.
Parte 01.
Les Arts Florissants
William Christie
Link para a Parte 01
https://youtu.be/QD_8wPdkwlI
3:: Jean-Baptiste Lully. Cadmus et Hermione. Prologue. Legendado Português.
01.01.1970 · 01:00:00 ··· 25.04.2021 · 14:55:58 ··· ··· ··· ··· ··· ··· Jean-Baptiste Lully. Cadmus et Hermione. Prologue. Legendado Português.
4:: Bach. Matthäus Passion (Paixão Segundo São Mateus). Karl Richter. Legendado Português. Parte 01.
01.01.1970 · 01:00:00 ··· 20.04.2021 · 14:16:37 ··· ··· ··· ··· ··· ··· Bach. Matthäus Passion (Paixão Segundo São Mateus). Karl Richter. Legendado Português. Parte 01.
Link para a Parte 02.
https://youtu.be/bOLqOFMzX4U
5:: Bach. Matthäus Passion (Paixão Segundo São Mateus). Karl Richter. Legendado Português. Parte 02.
01.01.1970 · 01:00:00 ··· 20.04.2021 · 14:16:30 ··· ··· ··· ··· ··· ··· Bach. Matthäus Passion (Paixão Segundo São Mateus). Karl Richter. Legendado Português. Parte 02.
Link para a Parte 01.
https://youtu.be/GT5wYmjQlww
6:: Jean-Baptiste Lully - Le Bourgeois Gentilhome - Ouverture
01.01.1970 · 01:00:00 ··· 17.07.2015 · 14:18:42 ··· ··· ··· ··· ··· ··· Lully´s Le Bourgeois Gentilhome Ouverture with a Dreamlike Photograph from David Hamilton´s book Le Galet Blanc.
7:: Adrien Leroy - Bransle de Champaigne - Alemande du pied de cheval
01.01.1970 · 01:00:00 ··· 08.02.2013 · 01:00:02 ··· ··· ··· ··· ··· ··· Inscription mise sur la grande porte de Thélème
François Rabelais. Gargantua.
Ci n'entrez pas, hypocrites, bigots,
Vieux matagots, souffreteux bien enflés,
Torcols, idiots plus que n'étaient les Goths
Ou les Ostrogoths, précurseurs des magots,
Porteurs de haires, cagots, cafards empantouflés.
Gueux emmitouflés, frappards écorniflés,
Bafoués, enflés, qui allumez les fureurs;
Filez ailleurs vendre vos erreurs.
Ces erreurs de méchants
Empliraient mes champs
De méchanceté
Et par fausseté
Troubleraient mes chants,
Ces erreurs de méchants.
Ci n'entrez pas, juristes mâchefoins,
Clercs, basochiens, qui le peuple mangez,
Juges d'officialité, scribes et pharisiens,
Juges anciens qui les bons paroissiens
Ainsi que des chiens jetez au charnier;
Votre salaire est au gibet.
Allez-y braire; ici on ne fait nul excès
Qui puisse en vos cours susciter un procès.
Pour procès et débats,
Il n'y a guère de lieu d'ébat
Ici où l'on vient s'ébattre
Pour votre soûl débattre,
Puissiez-vous avoir plein cabas
De procès et débats.
Ici n'entrez pas, vous, usuriers avares,
Gloutons, lécheurs, qui toujours amassez,
Grippeminauds, souffleurs de brouillard,
Courbés, camards, qui dans vos coquemars
De mille marcs n'auriez pas assez.
Vous n'êtes pas écoeurés pour ensacher
Et entasser, flemmards à la maigre face;
Que la male mort sur-le-champ vous efface.
Ah! face inhumaine
De ces gens! Qu'on les mène
Tondre ailleurs. Céans
Ce serait malséant;
Quittez ce domaine,
Face inhumaine.
Ci n'entrez pas, vous, balourds mâtins,
Ni soirs ni matins, vieux chagrins et jaloux;
Vous non plus, rebelles, mutins,
Ectoplasmes, lutins, de Danger comtes palatins,
Grecs ou latins, plus à craindre que loups;
Ni vous, galeux, vérolés jusqu'au cou;
Emmenez vos lupus ronger ailleurs de bon coeur
Croûteux, couverts de déshonneur.
Honneur, louange, bon temps
Sont ici constants
D'un joyeux accord.
Tous sont sains de corps
Aussi leur dis-je vraiment:
Honneur, louange, bon temps.
Ci entrez, et soyez bienvenus,
Bien réussis, vous tous, nobles chevaliers.
C'est ici le lieu où les revenus
Sont bien reçus pour qu'entretenus
Grands et peuple menu, vous soyez par milliers.
Vous serez mes intimes et mes familiers:
Gaillards et délurés, joyeux, plaisants, mignons,
Tous de la classe des gentils compagnons.
Compagnons gentils,
Sereins et subtils,
Sans nulle bassesse,
De délicatesse,
Voici les outils,
Compagnons gentils.
Ci entrez, vous, qui le saint Evangile
Annoncez en sens agile malgré ce qu'on gronde;
Vous aurez céans refuge et bastille;
Contre l'hostile erreur qui tant distille
Son faux style pour en empoisonner le monde:
Entrez, que l'on fonde ici la foi profonde,
Puis que l'on confonde par écrit et par vives paroles
Les ennemis de la sainte Parole.
Que la Parole sainte
Désormais ne soit éteinte
En ce lieu très saint.
Que chacun en soit ceint,
Que chacune porte en son sein
La parole sainte.
Ci entrez, vous, dames de haut parage,
Sans ambages, entrez sous d'heureux présages,
Fleurs de beauté au céleste visage,
Sveltes comme pages, au maintien pudique et sage.
Faire séjour ici est gage d'honneur.
Le grand seigneur qui fut du lieu donateur
Et dispensateur, a pour vous tout ordonné
Et a, pour parer à tout, beaucoup d'or donné.
Or donné par don
Ordonne pardon
A qui le dispense.
Et c'est haute récompense,
Pour tout homme de droit sens
Qu'or donné par don.
François RABELAIS
Music by Adrien Le Roy. France 16th Century.
Performed by Eric Bellocq. Renaissance Guitar.
8:: Mirelaridon
01.01.1970 · 01:00:00 ··· 07.02.2013 · 14:12:01 ··· ··· ··· ··· ··· ··· Mirelaridon don don don daine
Mirelaridaine et mirelaridon
Le varlet e la chambriere au marche vont
La fille port ung panier tou plain doignons
Et le varlet un pourceau maine
Mirelaridaine
Mirelaridon don don don daine
Mirelaridon
A non Dieu dit la fillette or voy je bien
Que le varlet qui my maine ne vault rien
Qui me gette sur lavoyne
Mirelaridaine
Mirelaridon don don don daine
Mirelaridon
A non Dieu dit la fillette or voy je bien
Que le varlet qui my maine ne vault rien
Au besoing luy fault laleine
Mirelaridaine
Mirelaridon don don don daine
Mirelaridon
Music by Guillaume Le Heurteur. France. 16th century.
Performed by Ensemble Clement Janequin.
9:: Expresso para o Inferno (Runaway Train) - Andrei Konchalovsky - 1985 - Final
01.01.1970 · 01:00:00 ··· 18.05.2011 · 16:43:30 ··· ··· ··· ··· ··· ··· Talvez o final de filme mais bonito da história.
Você está livre Manny, por você e pelos outros.
Grande atuação de Jon Voight.
Elenco:
Jon Voight - Manny
Eric Roberts - Buck
Rebecca De Mornay - Sara
Kyle T. Heffner - Frank
10:: Psalm 91 - Qui Habitat in Adjutorio (He that dwells in the aid of the most High) - Bálint Bakfark
01.01.1970 · 01:00:00 ··· 16.05.2011 · 11:51:07 ··· ··· ··· ··· ··· ··· Bálint Bakfark (his name is variously spelled as Bacfarc, Bakfarc, Bakfarkh, Bakffark, Backuart, and occasionally his first name is rendered as Valentin); 1507 -- August 15 or August 22, 1576) was a Hungarian composer and lutenist of the Renaissance. He was enormously influential as a lutenist in his time, and renowned as a virtuoso on the instrument.
PSALM 91
1 Qui habitat in adjutorio Altissimi, in protectione Dei cæli commorabitur. 2 Dicet Domino : Susceptor meus es tu, et refugium meum; Deus meus, sperabo in eum. 3 Quoniam ipse liberavit me de laqueo venantium, et a verbo aspero. 4 Scapulis suis obumbrabit tibi, et sub pennis ejus sperabis. 5 Scuto circumdabit te veritas ejus : non timebis a timore nocturno; 6 a sagitta volante in die, a negotio perambulante in tenebris, ab incursu, et dæmonio meridiano. 7 Cadent a latere tuo mille, et decem millia a dextris tuis; ad te autem non appropinquabit. 8 Verumtamen oculis tuis considerabis, et retributionem peccatorum videbis. 9 Quoniam tu es, Domine, spes mea; Altissimum posuisti refugium tuum. 10 Non accedet ad te malum, et flagellum non appropinquabit tabernaculo tuo. 11 Quoniam angelis suis mandavit de te, ut custodiant te in omnibus viis tuis. 12 In manibus portabunt te, ne forte offendas ad lapidem pedem tuum. 13 Super aspidem et basiliscum ambulabis, et conculcabis leonem et draconem. 14 Quoniam in me speravit, liberabo eum; protegam eum, quoniam cognovit nomen meum. 15 Clamabit ad me, et ego exaudiam eum; cum ipso sum in tribulatione : eripiam eum, et glorificabo eum. 16 Longitudine dierum replebo eum, et ostendam illi salutare meum.
1 He that dwelleth in the secret place of the Most High Shall abide under the shadow of the Almighty. 2 I will say of Jehovah, He is my refuge and my fortress; My God, in whom I trust. 3 For he will deliver thee from the snare of the fowler, And from the deadly pestilence. 4 He will cover thee with his pinions, And under his wings shalt thou take refuge: His truth is a shield and a buckler. 5 Thou shalt not be afraid for the terror by night, Nor for the arrow that flieth by day; 6 For the pestilence that walketh in darkness, Nor for the destruction that wasteth at noonday. 7 A thousand shall fall at thy side, And ten thousand at thy right hand; [But] it shall not come nigh thee. 8 Only with thine eyes shalt thou behold, And see the reward of the wicked. 9 For thou, O Jehovah, art my refuge! Thou hast made the Most High thy habitation; 10 There shall no evil befall thee, Neither shall any plague come nigh thy tent. 11 For he will give his angels charge over thee, To keep thee in all thy ways. 12 They shall bear thee up in their hands, Lest thou dash thy foot against a stone. 13 Thou shalt tread upon the lion and adder: The young lion and the serpent shalt thou trample under foot. 14 Because he hath set his love upon me, therefore will I deliver him: I will set him on high, because he hath known my name. 15 He shall call upon me, and I will answer him; I will be with him in trouble: I will deliver him, and honor him. 16 With long life will I satisfy him, And show him my salvation.
11:: Ravi Shankar in Portrait - Final
01.01.1970 · 01:00:00 ··· 04.04.2011 · 23:46:24 ··· ··· ··· ··· ··· ··· Final of the documentary Ravi Shankar in Portrait
BBC / Opus Arte - 2002
Great artist, great man.
12:: Two indian girls performing Bharat Natyam Dance
01.01.1970 · 01:00:00 ··· 04.04.2011 · 03:39:05 ··· ··· ··· ··· ··· ··· Two girls performing Bharat Natyam Dance, a typical dance of India, for the great indian musician Ravi Shankar and his family.
Let us think of India:
The India of Gandhi,
The India of The Mahabharata,
The India of Buddha,
The India of Wisdom,
The India of the great Ganges
The India of its heavenly temples.
You will smile even if you do not want to.
From the documentary Ravi Shankar in Portrait. BBC. 2002.
13:: Jacques Gallot - Suite in F Sharp Minor - Prelude - A Magical Music
01.01.1970 · 01:00:00 ··· 23.08.2010 · 14:38:32 ··· ··· ··· ··· ··· ··· Jacques Gallot (or Jacques de Gallot, le vieux Gallot de Paris) (c. 1625 -- c. 1695, Paris, France) was a French lutenist and composer.
He came from a Parisian family of lutenists and composers. He was a student of Ennemond Gaultier. In Paris, he published Pièces de luth composées sur differens mode introduced by a brief treatment of the lute.
Style brisé (French: "broken style") is a term for broken, arpeggiated texture in instrumental music. It usually refers to French Baroque music for lute, keyboard instruments or the viol. French Baroque musicians referred to this type of texture as style luthé ("lute style"), since it originated in lute music.
The defining feature of style brisé is the use of diverse, unpredictable ways of breaking up chordal progressions and melodies. This technique was first used by early French lutenists such as Ennemond Gaultier (c.1575--1651) and Denis Gaultier (1603--1672) and quickly gained popularity in France.
Jacques Gallot was also one of the developers of this musical form and the music heard in this video is a great example of that style of composition and playing of the lute.
It is a magical music!!!
From the CD Jacques de Gallot - Pièces de Luth
Astrée Auvidis
Hopkinson Smith, Lute
14:: Sylvius Leopold Weiss - Ouverture in B Major - A very happy music
01.01.1970 · 01:00:00 ··· 10.08.2010 · 15:32:59 ··· ··· ··· ··· ··· ··· One of the happiest music I have ever heard with one of the happiest images I have ever seen.
I hope it also makes you happy.
Silvius Leopold Weiss (1687 -- 1750)
Ouverture in B Major
Konrad Junghanel, lute
15:: Vincenzo Capirola - Padoana Alla Francesa - A renaissance (rebirth) for life music
01.01.1970 · 01:00:00 ··· 07.08.2010 · 19:40:36 ··· ··· ··· ··· ··· ··· Little is known about Vincenzo Capirola´s life, but it is certain that he was born about 1474 in Brescia from a noble family, had a high level education, was the author of the famous Capirola´s Lute Book and that after have travelled a lot, he eventually established his career as a musician and composer in Venice and died there about 1548.
I uploaded this video wondering that Vincenzo used to watch this very same sunset in Venice while playing his lute.
Travel back in time and imagine yourself having the privilege of being beside him listening to his music and appreciating this landscape from his house´s window.
This music also makes me meet my inner child and arises in me the sense of making peace, knowing and strengthen the bonds with myself, the mankind and the Universe. In other words, it is Renaissance.
From the CD Vincenzo Capirola Lute Book
Disques Pierre Verany
Federico Marincola, lute
16:: TRIO NORDESTINO - Por Causa da Pepita
01.01.1970 · 01:00:00 ··· 31.03.2010 · 00:53:35 ··· ··· ··· ··· ··· ··· TRIO NORDESTINO
Por Causa da Pepita
17:: Johann Sebastian Bach - Herr Unser Herrscher - Karl Richter
01.01.1970 · 01:00:00 ··· 29.04.2009 · 07:25:18 ··· ··· ··· ··· ··· ···
18:: André Campra - L´Europe Galante - Ouverture
01.01.1970 · 01:00:00 ··· 02.10.2008 · 14:20:51 ··· ··· ··· ··· ··· ···
19:: Romeo & Juliet - Zefirelli - 1968 - New Soundtrack - Part 3
01.01.1970 · 01:00:00 ··· 18.08.2008 · 03:27:16 ··· ··· ··· ··· ··· ···
20:: Romeo & Juliet - Zefirelli - 1968 - New Soundtrack - Part 2
01.01.1970 · 01:00:00 ··· 18.08.2008 · 01:43:49 ··· ··· ··· ··· ··· ···
21:: Bach - Julia Hamari - Matthäus Passion - Erbarme dich
01.01.1970 · 01:00:00 ··· 23.11.2007 · 00:00:00 ··· ··· ··· ··· ··· ···